1、中心美術館( 方案三)CENTER GALLERY (PLAN 3)建筑師：ARCHITECT: ZHANG Lei青城因貌似青山四合，儼然如城，故名青城山。連一方面，展覽活動因此可能以多種方式延續到整個；另一方面，美術館的主展館設計也反映了建筑師的克制與退隱，在這里藝術品是主角，空間則是背景。美術館水平向的開放空間體系提供了展廳布局的多種可能性，針對不同的展覽通過臨時展墻可以形成不同的展覽空間，其形式和背景針對不同展品會提供不同的視覺與空間體驗。美術館采用規則的正交結構體系和普通的建造方式，可以有效控制建設費用、施工周期和完成效果。其鏡面不銹鋼表皮的生成以規整的網格為基準，通過峰起伏深秀的青

2、城山既是項目的背景，也是思考的起點，方案以青城山水為，是想以隱喻的方式將美術館定格在青城山特定的場景之中，鏡面不銹鋼表面的波動起伏顯“山”露“水”，整體界面影射周圍的景色，表皮隨四季更替而變化，亦真亦幻。高山、流水、瀑布、樹木等，種種“青城山水”的痕跡在建筑和場地匯聚，美術館最終以獨特的消解方式融入“青城山水”之間。整個其實都是展廳，甚至美術館本身也戲劇化地成為了“青城山水”的展品。方案將美術館的展覽空間拓展到整個，把整個作為擴大的藝術展場來經模數的微小形變，立足于現實合理的施工，形成立營。在滿足主展館室內展示環境嚴格的物理要求和控制管理要求之后，方案將其他公共活動空間從集中的美術面的靈動內散

3、布的不同的功能體，以景觀小品的姿態出現，仿佛雨后春筍在內生成。采用川西盛產館功能關系中剝離出來，分布在起伏的草坡之中，藝的毛竹來圍合界面，力求融合在周邊山水環境之中。術展覽的敘事性和城市公園的公共性一同植入，在（主要設計師：設計團隊：文），體驗式的藝術漫游中與青城山的生活經驗發生積極的互動關系。最終在自然環境下，把展覽空間與生活空間這兩種具有不同屬性的內容，戲劇性地結合在一起，實現了城市生活、藝術展示和“青城山水”三者的有機融合。，王建筑用地面積：20 101.1m21總建筑面積：5 175m22構思草圖總體模型世界建筑 2008/033Qingcheng Mountain gets its

4、name as the mountainappears green (meaning“Qing”in Chi like a city (meanin“g Cheng”in Chiand looks) which issurrounded by four sides. The mountainous and picturesque Qingcheng Mountain is the background of the project andthe starting poif consideration. The subject of thisprojectismountainsandrivers

5、in Qingcheng. Itisdesignedto set the Center Gallery metaphorically intmountainscene. With ups and downs of its stainless steel surfacerepresenting mountains and rivers, the whole intcereflectrounding sceneries, and its sce changesaccording to the shift of seasons. All tracesountainsand rivers in Qin

6、gcheng”, namely the high mountains, streaming rivers, waterfalls and trees, converge on the architecture and site. Byaparticular disappearing means,the Center Gallery was i riversinQingcheng.rated imountains andIn fact, the whole site is an exhibition hall.Dramatically, the Center Gallery alsoes ama

7、st iece on display o“f Mountains and rivers in Qingcheng”. Under the program, exhibition space is expanded as large as the whole site area, and the site is operated as an expanded exhibition hall. When the434 模型藝術空間/ART SPACE47exhibition environment of the main exhibition hall fits the strict physic

8、s and management requirements, other public areas are separated from the collective functionsof the Center Gallery, and are spread throughnlawns on the site. Inway, a narrative art exhibitionand a public city park are combined inte site, andan art tour experience actively incts with the lifeexperien

9、ce in Qingcheng Mountain. Finally, two differentcontentsexhibition space and living space-arecombined dramatically ithe natural environment,whichrealizesaninationofcitylife,artexhibitionan“d Mountains and rivers in Qingcheng”.On one hand, exhibition activities could be extended to the whole site are

10、a; on the other hand, the design of the Center Gallerysmain exhibition hall also reflects the control and retirement of the architect, for there,5art piere subjects whereas space is their background.The horizontal open spacstem provides multiplealternatives for the exhibition arrangement. By the tem

11、porary exhibition walls and settings, it provides differentexhibitionspaceandvariousvisualandspatial experience according to specific requirements.The construction of the Center Gallery appli regular crossing structure systems as well as common construction methods, which effectively control constru

12、ctioncosts,periodandachievement.Itsstainless steel surface based on regular gridding and logical construction methods achieves the flexible elevation through the little changes of gridding units. Differentfunctional sections withisite are separated as6landscsceneries, which reflect natural environmentas goes with Chiidiom“bamboos flourish afterrainfall”. By applying bamboos from west