MéRIDAAUDITORIUMANDCONFERENCECENTE,MéRIDA,SPAIN,1沿河立面/Facadetowardsthe建筑的。該建筑位于瓜的河西岸的亞哥ThenewMeridaConferenceCentremustnotonlyresolveacomplexbriefthatmakesthemusic,theatreandoperausesoftheauditoriumcompatiblewiththeexhibitionpavilion.Itisalsoabuildingwithapowerfulsymbolicpresencewhich,duetoitscontentsandlocation,willaddtothenotablelistofmodernarchitectureinMerida.SetonthewestbankoftheGuadianaRiverbetweenthebridgebySantiagoCalatravaandtherailwaybridge,itoverlookstheriverandthecityatthesametime.Likeatapestryformedbyalternatinggardenandpavedbelts,anewsquarewill panythevisitor'sapproachtothebuildingatthenorthernedgeofthesite.TheConferenceCentreisconceivedasaunitarypiece,emptiedtoshapeanewpublicspace:alargeraisedterraceoverlookingthecitywhicharticulatesthebasicfeaturesofthebrief.Thistformisanexusbetweenthetwoauditoriums,themostcharacteristicfeaturesofthebuildingwhichcanoperateindependentlyoftheandexhibitionareasonthelowerThemainhallfor1,000spectatorsisonarectangularn.Avariableinclineshapesthe

們是項目的基本成分。外形感覺是一個實體，事組成結(jié)構(gòu)。如同古羅馬城墻的混凝土毛石砌面一根據(jù)雕刻家 · 制作的一個原件，產(chǎn)出5個橡膠模具，安排在4個基群之中。這創(chuàng)造了一個組合系統(tǒng)，實現(xiàn)了從雕塑的個性到工業(yè)建造過程的轉(zhuǎn)換。seatingarea,withentrancesfromboththeexteriortformandfromstreetlevel.Itsconcertusagerequiresdetailedattentiontotheacousticdetails,envisagedbythegeometryandvolumeoftheauditorium.Theacousticceiling,inzinc-cladwoodenpanels,isinstalledindependentlyoftheroofstructureinaccordancewithageometryproducestheoptimumsoundBehindthestageofthesecondhallisabroadglazedopeningthatvisuallylinkstheinteriorspacewiththeentrancesquareinordertodisythehorizontalsectionthatrunsthoughthewholebuilding.Theexhibitionandconferenceareasareconceivedasamodulatedsequenceoflargeemptyspacesarrangedonthegroundandmezzaninebasementfloors.Thematerialsandtreatmentusedontheenclosurearenoteworthy,notonlybecausetheyessentiallyshapeitsimage,butalsobecausetheyareafundamentalpartoftheproject'stheme.Whatisperceivedexternallyasasolid,massivevolumethathasbeenemptiedis,infact,constructedinternallyfromamodulatedstructuralframeworkofreindconcrete,withanenclosureoflarge

客戶/:ernmentof立面藝術(shù)設(shè)計/icInterventioninFacade:Esther項目/ProjectArchitect:Carlos合作/Collaborators:DenisBouvier,MauroPedroQuero,JuanCarlos現(xiàn)場監(jiān)理/SiteSupervision:NietoSobejanoArquitectosS.L.PFuensantaNietoEnriqueSobejanoFernandoBenitoFernández,PedroMiranda,JoséLuisPeriáez,MiguelRica,MiguelMesasIzquierdo,Technical結(jié)構(gòu)/Structure:NB35機(jī)械工程師/MechanicalEngineer:Geasyt聲學(xué)顧問/AcusticConsultant:Arau模型/Models:NietoSobejanoArquitectosJuandeDiosHernández－JesúsRey攝影/Photographs:RolandHalbe設(shè)計時間/ProjectDate:建造時間/Construction:2000－承建公司/Construction:U.T.E.consa/prefabconcretepanels.LiketheopusincertumofRomanwalls,thisheavilytexturedandpigmentedconcretewillexpressarough,uncertainouterfacethatcontrastswiththemetalandglassfinishofthetwoauditoriumboxes.AsingleoriginalpiecebythesculptorEstherPizzarowasusedtoproducefiverubbermouldsarrangedinfourbasicgroups.ThisgeneratesacombinatorysystemthatpermitsatransitionfromtheindividualityofasculpturetotheimplementationofanindustrialisedconstructionFromoutside,thebuildingischaracterisedbythecontinuityofstone-likematerial,contemporaryinitsconstructiontechniquewhileatthesametimereminiscentoftheoldRomanwallsinMerida.TheMéridaConferenceandExhibitionCentre epartoftheGuadianaRiverbankenvironmentwiththepowerandexpressivenessrequiredbyitspublicandinstitutionalnature.Itwillbeacompactbuildingwithadesiretobetimeless,likeavestigeofsomeremotepast,thatoverlooksthecityitadoptsandrepresents.□(EnriqueSobejano,Fuensanta