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專業英語八級(閱讀)模擬試卷33(共
9套)
(共185題)
專業英語八級(閱讀)模擬試卷第1套
一、選擇題(本題共14題,每題1.0分,共14分。)
(1)AsIponderwhomitmightbethatIwouldconsiderarolemodel,Irealizedthatthere
arealotofpeopleIknowpersonallythatIcouldlooktoforinspiration.ButIamsharing
thesethoughtswithotherswhomostlikelydonotknowmyfriendormysister-in-lawor
(hegalIworkwith.ThereforeIthinkIshouldwriteaboutsomeonefamous.But,itseems
(hatthesedays(herearenotalotofgoodrolemodelstochoosefrom,atleastnotfrom
(he"typical"choicesthatweusuallythinkofasrolemodels.Irealizecelebrities'private
livesshouldbejustthat:butwhenapersonisinthelimelightperhapstheyshoulduse
thatnotorietyforsomesortofgood.(2)Therearesomecriteriathatmyrolemodelmust
possess.First,shemustbeclosetomyage.Shehastohaveovercomesomeobstacle,or
maybebettersaid,didnothaveher"celebrity"statushandedtoher.Finally,shemustbe
helpingothers.Sharingtheblessingsshehasreceivedwithothers.(3)1believethat
someonewhofitsthosecriteriaquitewellisOprahWinfrey.(4)OprahWinfrey'slifehas
hadaverydifficultandtumultuousbeginning.Shewasbornin1954toapoor,unmarried
blackgirllivingintheveryraciallysegregatedstateofMississippi.Forawhile,Oprah
wasraisedbyhergrandmother,afterhermothermovednorth.Sheeventuallywenttolive
withherfatherinNashville,afterhavingsurvivedbodyabuseandthebirthanddeathof
babyofherown.(5)Oprah'srisetofamebeganinBaltimore,thenChicago,withher
hostingmorningtalkshows,suchas"A.M.Chicago".Shebecamesopopularthatin
1986,shelaunched"TheOprahWinfreyShow".Oprahbeganherownproduction
company,Harpo,andobtainedcontrolof"TheOprahWinfreyShow",whichwasnow
insyndication.(6)In1994,Oprahdidsomethingthatcaughtmyattentionandwithwhich
shegainedmyrespect.Shedecidedtobreakawayfromthemoldofotherdaytimetalk
showsandpledgedthathershowwouldbefreefrom"tabloidtopics".Herviewers
respondedslowly,butverypositively,andherpopularitysurged."TheOprahWinfrey
Show"wasnowcenteredonuplifting,meaningfulsubjects,iranyofwhicharcaimed
towardswomen.(7)Oprahhasusedhergainingpopularity,inmyopinion,tolaunch
manymeaningfulprojects.ShelaunchedOprah'sBookClubin1996.TheBookClubis
anon-airreadingclubintendedtogeltheuouniryexcitedaboutliteratureagain.Todale,
allthebookclubselectionshavebecomeinstantbestsellers.Oprah'sAngelNetworkwas
startedin1997,encouragingpeopletoopentheirheartstothoseinneed.Thisincludesa
projecttocollectsmallchangetosendstudentstocollegeandtosponsorHabitatfor
Humanityprograms.(8)Oprahhasbeenabletoshareherblessingswithotherswhile
keepingherpledgetofocus"TheOprahWinfreyShow"onsubjectsthatwillencourage
herviewers.Eachweekhershowscoversuchtopicsasspirituality,wellness,fitness,
relationships,stepstowardsfinancialfreedomandmore.(9)Winfrey'stalentforpublic
performanceandspontaneityinansweringquestionshelpedherwinfame.Winfreytalk
showhasanestimatedaudienceof14milliondailyintheUSandmillionsmorein132
othercountries—predominantlywomen.Sheisalsoanaccomplishedactressandwonan
AcademyAwardnominationforherroleinTheColorPurple.(10)AnotherreasonthatI
admireOprahisbecauseshegenuinelyseems(obe"justaregulargal".Herbook,Make
theConnectionshowshowOprahislikeanyotherwoman.Thepainfulrevelationsshe
sharesaboutherstrugglewithweightlossreallytouchedme.Evenasshewasgivenan
EmmyAward,herthoughtswereonhowheavyshemustlookinthedressshewas
wearing.Once,IwenttoalecturegivenbyoneofOprah'sfavoriteauthors.Aswewere
sittingbeforethelecturebegan,acoupleofblackwomenwalkedin.Myfriendsaid,"Oh
look,there'sOprah,"Isaid,"noit'snot",shesaid,"yesitis"andbackandforthwewent.
Well,asitturnsout,itwasOprah.Shelookedjustliketherestofus;shedidnotcomein
amongstmediafrenzyasmightbeexpected.Whenthespeakerintroducedher,shewas
almostembarrassedtostand.(11)1feelOprahisagenuinelyniceperson,someonewho
wouldbeagreatgirlfriend.Shehasaheadonhershouldersandknowswheresheis
going.Shehasmadeanametorherselfandisnotembarrassedbyherwealthandknows
theimportanceofsharingtheblessingsthathavebeenbestoweduponher.
1、AllofthefollowingarethereasonswhytheauthorchoseOprahWinfreyasherrole
modelEXCEPTthatshe.
A^isaboutofanagewi(htheauthor
B、isgladtoshareeverythingshehaswithothers
C、isreadytogiveahandtoothers
D、hassurmountedmanydifficukies
標準答案:B
知識點解析:細節題。第二、三段指出,我的行為榜樣必須要有某些標準。首先,
她一定要與我的年齡相仿。其次她必須經過奮斗成功,或者說她的“名人”地位并非
別人給的。最后,她必須幫助他人。與他人分享她得到的恩賜。我認為符合這些標
準的人就是OprahWinfrey。由此可知,[A]、[C]和[D]都是作者提到的原因。文中
沒有說分享一切,故IB]為答案。
2、Oprah'stalkshowcanNOTbedescribedas.
A、soul-stirring
B、significant
C、popular
D、terse
標準答案:D
知識點解析:細節題。第七段首句指出,在我看來,Oprah利用獲得的聲望開始制
作一些有意義的節目。由此可知,Oprah的節目很受歡迎,[C]符合文意,故排
除;第八段指出,Oprah能垓與他人分享祝福,信守承諾,能讓“TheOprah
WinfreyShow”的話題激勵觀眾。每周她的節目都包含這些話題:精神、健康狀
況、健身、關系、理財建議等。由此可知,Oprah的話題有意義、振奮人心,[A]
和[B]符合文意,故排除。只有[D]未提到,故為答案。
3、Whatwouldbeasuitabletitlefor(hepassage?
A、WhoseLeadShouldIFollow?
B、Oprah—ATalkShowHostess.
C、WhyDoIAdmireOprah?
D^Oprah一ARegularGal.
標準答案:A
知識2解析:主旨題。文章開篇指出作者在思考尋找一個行為榜樣,接著指出榜樣
的標準,從而引出OprahWinfrey。作者分析了Oprah成功的原因,表達了對她為
人的認同,以及對她的欽佩之情。文章多次出現“rolemodel”這個詞組,顯然是作
者在開篇提出誰能成為其行為榜樣之后,自己解答并解釋原因,故[A]為答案,同
時排除[B];[Q是文章的部分內容,故排除;[D]偏離文章重點,故排除。
(1)It'sdisturbingtopictureyourkindergartnerinacasino,butmaybeyououghttotry.
Americankidsarebornintoaculture(hatlovesitsgambling,andthepassionisonly
growing,asfinancialhardshipssweeten(heeveralluringprospectofaluckybreak.The
danger,ofcourse,isthatgamblingcanleadtocompulsivegambling—andcompulsive
gamblingcanbealifewrecker.Now,anewstudyintheArchivesofPediatrics&
AdolescentMedicinesuggeststhatitmaybepossible(ospotthepeoplemostatrisk
whenthey'reasyoungas5yearsold.(2)Problemgambling,likealladdictions,isatleast
partlyrootedinpoorimpulsecontrol,andifthere'sanyplacepeoplemaketheirwant-it-
nowneedinessknown,it'sinkindergarten.PsychologistLindaPaganioftheSainte-
JusticeUniversityHospitalResearchCenterandtheUniversityofMontrealconducteda
longitudinalstudythatbeganin1999,whensheassembledasamplegroupof163
kindergartnerswithamedianageof5.5years.Thekids'teachersfilledouta
questionnaireinwhichtheyratedeachchild'sdegreeofinattcntivcncss,distractibilityand
hyperactivityonascaleof1to9.Paganitalliedthescoresandthentuckedthefindings
away.(3)Sixyearslater,sheconductedfollow-upinterviewswiththesamechildrenand
askedwhetheranyofthemhadbegungambling.Theresultsweresurprising.Although
(hekidswerestillalongwayfrombeingoldenoughfbrVegasorthetrack,many
admittedthattheywerealreadyplayingbingo,cards,videopokerorothervideogames
fbrmoney;buyinglotterytickets;orplacingbetsonprofessionalsports.(4)"The
majorityofkidswerenotengaginginanyoftheseactivities,"saysPagani,"butthefact
(hatanyofthemwerewasunexpected."(5)WhatstruckPaganimostwashow
predictabletheidentitiesofthegamblerswere.Whenshereferredbacktotheratings
fromkindergarten,shefoundthateveryone-unitincreaseontheimpulsivityscale
correlatedwitha25%jumpinthelikelihoodachildwouldbegamblingbysixthgrade."
TheDiagnosticandStatisticalManualalreadyreferstogamblingspecificallyasan
impulse-controldisorder,"shesays,citingtheofficialtextthatoutlinesdiagnosticcriteria
formentaldisorders."Andthentherewereourfindingsshowingthat.'*(6)Knowing
earlyonwhichchildrenarcheadedfortroublecanpayoffinanumberofways.Forone
thing,itcanhelpfamilieswiseup.Someoftheparentsofthekidsinthestudysawalinle
gamblingasaminorthing,andanumberofthemevenboughtlotteryticketsfortheir
kidsasarewardforgoodbehavior.That,clearly,sendsthewrongmessage."Scratch-
and-wingamesarcforadults,nPaganisaysflatly.(7)What'smore,notonlycankids'
behaviorbenefitwhenimpulseissuesarespottedearlyon,socantheirbrains.Preschool
isatimewhentheprefrontallobes,whicharethecenterofexecutivefunctions—and
whatPaganiandotherscall"effortfulcontroP'—arejustdeveloping.Thebetterthebrain
canbetraineda(thisstage,ihebetteritperformslaterinlife.Paganicitesa2007study
publishedinthejournalSciencethatshowedthatsimpleattention-boostingtraining
(aughtinkindergartenimprovedfocusandconcentrationinlateryears."Youcan
introduceacost-effectiveprogramandreapenormousbenefits,"shesays.(8)Pagani
planstocheckinwiththekidsinhersurveyagaininanothersixyears,whenthey're
finishinghighschoolandpreparingtoenterthelargerworld-withitslargertemptations.
Eveniftheywereborntoolatetobenefitfromherfindings,shethinksotherkidscan.(9)
"Weneedtothinkofimpulse-controltrainingasalong-terminvestmentplan."shesays,
"onethatcanleadtolessaddiction,lessgambling,alowerdropoutrateandlower
unemployment."That'safarbiggerpayoffthanyou'llevergetplayingblackjackor
craps.
4、Thephrase"tucked...away"inthesecondparagraphmeans.
A、putaway
B、gaveaway
C、clearedaway
D、workedaway
標準答案:A.
知識點解析:語義題。第二段提到,圣司法部大學醫院研究中心和蒙特利爾大學的
心理學家Pagani于1999年開展「一項研究,對平均年齡為5.5歲的163位幼兒
園學生的沖動性進行了調查。她統計了學生們的得分,隨后“tuckedthefindings
away”。第三段首句提到六年后她進行了后續研究。所以“tuckedthefindingsaway”
應該不是[B]“放棄”,也不是[C]“清除",更不是[D]“不停地連續研究”的意思,而是
“放在一邊”的意思、,故正確答案為[A]。
5、WhichmayNOTbeoneofthebenefitsofimpulse-control(raining?
A^Encouragingmorechildrentoslayawayfromdrugsandgambling.
B、Facilitatingthedevelopmentofprefrontallobes.
C、Improvingkids'performanceintests.
D、Reducingthenumberofdropoutstudents.
標準答案:C
知識點解析:細節題。第七段首句提到如果能較早發現沖動問題,不但孩子的行為
能從中獲益,而且他們的大腦亦可以獲益。接下來指出學前時期是大腦前額葉的發
育時期,如果這個階段訓練得當,在以后的生活當中其功能將會更好。所以得出結
論:沖動控制訓練能夠促進大腦前額葉的發育,IB]符合文意;最后一段提到
Pagani說我們應當把沖動控制訓練當成?項長期的投資策略,它能減少吸毒成癮和
賭博,降低輟學率和失業率。[A]”鼓勵更多的兒童遠離毒品和賭博??和[D:降低輟
學學生的數量”符合文意。最后一段雖然提到了降低失業率,但文中并沒有.直接提
出這樣能夠提高學生的考試成績,[C]不符合文意,故為答案。
6、Asuitabletitleforthepassagewouldbe.
A、Pagani'sStudyonChildrenGambling
B、TheNeedofImpulse-ControlTraining
C、SpottingFutureGamblersinKindergarten
D^SavingOurChildrenfromGambling
標準答案:C
知識點解析:主旨題。縱觀全文,本文主要介紹了Pagani的研究過程和發現,得
出的結論是;能從幼兒園時期孩子們的表現中發現可能的未來賭博者,所以正確答
案為[0。Pagani研究的是孩子們的沖動性與其以后參與賭博的關系,而不是兒童
賭博,所以[A]錯誤;文中提到了沖動控制訓練可能帶來的益處,但并沒有強調需
要進行沖動控制訓I練,所以[B]錯誤;文中提到可以在幼兒園時期發現未來的賭博
者,通過對他們進行沖動控制訓練來減少賭博行為,但并沒有說要把孩子們從賭博
中拯救出來,所以[D]錯誤。
(1)WhenthecreatorsofanewsitcomcalledTheLooppitchedtheirshowtoexecutives
attheFoxtelevisionnetwork,thebroadcastmoneymenlikedtheideaofasitcomabout
youngguyslivinginChicago.Butwhattheylovedwasthefactmatproductsontheset
wouldn'tbeanafterthoughtbroughtinbyapropmaster.Instead,viewerswouldseethe
sameproductseveryweek,cleverlywovenintotheplotthroughouttheseason,and
characterswoulddiscuss(hebrands—abitlikea13-weekadcampaign.Sureenough,the
networkpickeduptheshow.Co-creatorWillGlucksayshewantedtocapturetheway
guysreallytalk,discussingcoolgadgetsandbrandsineverydaylife.(2)Gluck'sproduct-
infusedformulaisrapidlybecomingamodelfornetworkTVssurvival.Thanksinpartto
technologieslikeTiVo-whichgrowingnumbersoffolksareusingtoblitzpast
commercialsandwatchTVontheirownschedule—thead-drivenprimetimebusiness
modelthathasexistedfbrdecadesisunderassaultasneverbefore.InNewYorkCitylast
week,broadcastcxccsshowcasedtheirbesthopesforluringviewersbackthisfall,
unveilingdozensofnewdramas,sitcomsandrealityshows.Ifhistoryisanyguide,most
ofthemwillflop,withshowsaimedatyoungguysfacingtoughcompetitionfromvideo
games,andcablechannelserodingevermoreofrhenetworksshare.Asadvertisers
increasinglychaseaudiencethroughnontraditionaloutletsaswell,themajornetworks
maybeinfbralousyyear.(3)Whilethegloomyfinancialpicturemayhavesomethingto
dowithalackofmust-seeTV.it'shardtooverestimatethechallengesposedbyad
skipping.Atleast6.4millionhouseholdsnowhavedigitalvideorecorders(DVRS)like
TiVo.Cableandsatelliteprovidersarepushingthetechnologyhard-40%ofhouseholds
areexpectedtohaveDVRSby2009—whilethecableguysarealsopitchingvideoon
demand(VOD),anothertechnologyconsumersusetowatchcontentontheirown
schedule.(4)Nowondersomeadvertisersareturningoffthetube.Americanexpresshas
slashedtheTVshareofitsadbudgetfrom80%adecadeagotolessthan35%,replacing
commercials,inpart,withonlinemini-films.PepsirecentlyrelaunchedPepsiOne
withoutanyTVadvertising,whichcxccsatthefirmsaywouldn'thavebeenthecasefive
yearsago.(5)AllthemorereasonadvertiserswanttoTiVo-prooftheirmessage.Since
1999,televisionproduct-placemenidealshavesurgedinvaluefrom$709millionto$1.9
billion,accordingtotheresearchfirmPQMedia.Already,marketershaveburrowedinto
realityshowslikeSurvivorandTheApprentice.ThisseasonalsobroughtusaDesperate
HousewifefawningoveraBuick.BernieMacpoppingRolaics,acharacterinAccording
toJimdeclaressheonlywants"theshrimpatRedLobster"andanepisodeofArrested
DevelopmentsetinaBurgerKing."Weneededasmuchsupportfortheshowaswe
couldget,"saysStevenMelnick,aseniormarketingexecutiveat20thCenturyFox
Television,whichproducesArrestedDevelopment,defendingBurgerKing'sstarring
role.(Typically,mediabuyersnegotiateproductplacementaspartofapackagedealwith
regularads.)(6)Ifmusclinginonthedevelopmentofscriptedshowssoundsscary,get
readyforthenextwave.Whilethenetworkswerepresentingiheirfalllineupslastweek,
mediabuyersforSears,forinstance,wereworkingupproductintegrationdealsaspartof
theirtraditionaladbuys.AlreadyabigpresenceinABC'sExtremeMakeover-,Home
Edition,SearswaseyeingnewsitcomsliketheWB'sSupernatural,andthecompanyisn't
interestedinprovidinganapplianceasabackgroundprop."That'snotenoughtomake
peopleshopatSears,"saysPcrianneGrignon,vicepresidentofmediaservicesforSears.
"It'seasytousemerchandiseasaprop,butwehavehigherstandards."(7)Buthow
muchproductintegrationwillaudiencestoleratebeforeturningoff,rea-lizingthey're
essentiallywatchinganadvertorial?Noonecansayforsure,thoughratingsforoneofthe
heaviestproduct-placementvehicles.TheApprentice,fell20%thisseason.Mazzaclaims
thataslongasproductsappear"organically"inTVshows,audienceswon'tmind.Under
pressurefromadvertisersandfacingrisingcostsforscriptedshows,networkexecssay
theyhavescantchoicebuttodevelopnewrevenuestreams.(8)Nooneispredictingthe
demiseofnetworktelevision,whichbroughtinanestimated$16.5billioninadvertising
lastseason.AsABCdemonstrated,ittakesonlyafewhitslikeDesperateHousewivesto
orchestratearebound.Butnetworkexecsarealreadydreamingupwaystoresellcontent
onplatformslikevideoondemand,cellphonesandtheInternet.,rYougotlafigureouta
waytomakemoney,"saysAlanWurtzel,presidentofmediadevelopmentforNBC
Universal."Weknowtheconsumerischangingandexpectationsarechanging."
Questionis,willthenetworkschangefastenoughtoo?
7^Accordingtothepassage,allofthefollowingmayleadtoadskipping
EXCEPT.
A、cablechannels
B、newtechnologies
C^newsitcoms
D、videogames
標準答案:C
知識點解析:細節題。第二段前兩句指出,Gluck的產品注入方法很快就成為電視
網的生存模式。黃金時段充斥著廣告的模式已經存在了幾十年,現在受到了前所未
有的抨擊,部分原因是由于產生了TiV。一類的科技,越來越多的觀眾使用這些科
技來快速跳過廣告,按照自己的計劃看電視。由此可知,新科技的出現是讓人們跳
過廣告的原因,故排除[B]:該段倒數第二句提到因為針對年輕人的節目面臨著電
視游戲的嚴峻挑戰,有線電視頻道也搶走了電視網絡更多的份額。可見,電視游戲
和有線電視也搶走了部分觀眾,故[A]和[D]也是其原因,因此排除;文中沒有提到
新的情景喜劇與不再看廣告有關系,故[C]為答案。
8、Thepassageaimsto.
A^introducetheproduct-infusedadmodel
B、explaindifferencesbetweentheoldmodeland(henewone
C、questionthead-drivenprimetimebusiness
D、discussthepossibilityofadskipping
標準答案:A,
知識點解析:主旨題。文章開篇介紹了一部新的情景喜劇《環》,其中最吸引福克
斯電視網管理人員的是觀眾每星期都會在劇中看到同樣的產品,這些產品被巧妙地
編織到劇情中,貫穿于整個演播季,劇中人物會討論這些品牌,這就是新的廣告模
式一產品注入式廣告。然后具體介紹了一些網絡電視的產品注入式廣告方法。最
后得出結論:沒有人會預言網絡電視將消亡。但我們知道消費者在改變,他們的期
望也在改變。問題是,網絡電視改變的步伐足夠快嗎?可見,全文的主旨是介紹這
種新的廣告植入方法,故[A]為答案。黃金時段插播廣告是部分內容,因此排除
[C];文章重點在介紹新方法,而不是區別新舊方法的不同,因此排除[B];文章沒
有探討跳過廣告的可能性,因此排除卬|。
(1)It'shardtomissthem:theepitomeofcasual"geekchic"andorganizedwithinthe
warrantyoftheirPalmPilots,theysiplabor-intensivecafelattes,chatonsleekcellphones
andpondertheroadtoenlightenment.IntheU.S.theyworryabouttheenvironmentas
theydrivetheirgas-guzzlingsportsutilityvehiclestoemporiumsofhautedesigntobuya
$50titaniumspatula;theythinkabouttheirtechstocksastheyexplorespecialtyshops
forTibetanartifactsinEverest-worthyhikingboots.Theythinknothingoflayingout$5
forawheatgrassmuff,muchless$500forsomealternativerejuvenationattheday-
spa——butdon'ttalkaboutraisingtheirtaxes.(2)Theyare"BourgeoisBohemians'*-or
"Bobos',—andthey'rethenev/"enlightenedelite"oftheinformationage,theirlucratively
busylivesaseemingsynthesisofcomfortandconscience,corporatesuccessandcreative
rebellion.Well-educatedthirty-to-fortysomething,theyhaveforgedanewsocialethos
fromalogic-defyingfusionof1960scounter-cultureand1980sentrepreneurial
materialism.(3)Combiningthefree-spirited,artisticrebelliousnessoftheBohemian
beatnikorhippiewiththeworldlyambitionsoftheirbourgeoiscorporateforefathers,the
Boboisacomfortablecontortionofcaringcapitalism."It'snotaboutmakingmoney;it's
aboutdoingsomethingyoulove.Lifeshouldbeanextendedhobby.It'sallaboutworking
toracompanyascoolasyouare."(4)Itisaworldinhabitedbydotcommillionaires,
managementconsultants,"cultureindustry"entrepreneursandallmannerofmediafolk,
mostearningupwardsof$100,000ayear—theirmoneyanincidentalbyproductoftheir
maverickmores,thekindofmoneytheyhappentoearnwhiletheyarcpursuingtheir
creativevision.Oftensportingsuchunconventionaljobtitlesas"creativeparadox""
corporatejester"or"learningperson",Bobosworkwithamonk-likeself-discipline
becausetheyviewtheirjobsasintellectual,evenspiritual.ItisareversetheMidastouch;
everythingaBobotouchesturnstospirituality,everythinghastobeaboutenlightenment.
Even(heirjobsareamissiontoimprovetheworld.(5)Itisnowimpossibletotellan
espresso-sippingartistfromacappuccino-gulpingbanker,buti(isn'tjustamatterof
style.Ifyouinvestigatepeople'sattitudestowardssex,morality,leisuretimeandwork,it
isgellingliaidciandliaidcitoscpaialetheanli-csUiblisliiiiciilicncgadcfiuuillicpiu-
establishmentcompanyman.Mostpeopleseemedtohaverebelattitudesandsocial-
climbingattitudesallscrambledtogether.(6)TheseBobosarejustnormalmiddle-class
peoplewhoarelivingoutaprotractedadolescence.Theirpoliticalinterestsareeither"
intenselycloseandpersonal"(abortionorguncontrol),orveryremote(therainforests,
TibetorThirdWorldpoverty).Buttheywillmostlikelyexpresstheirconscienceintheir
consumerism,relievedtobehelpingsomeonesomewherehycollectingthehand-carved
artifactsofdistantcultures.(7)Motivatedbyspiritualparticipation,butcautiousofmoral
crusadesandreligiousenthusiasms,theytoleratealittlelifestyleexperimentation,solong
asitisdonesafelyandmoderately.Theyareoffendedbyconcretewrongs,suchas
cruellyandracialinjustice,butarerelativelyunmovedbyliesortransgressionsthatdon't
seemtodoanyoneanyobviousharm.(8)Itisanelitethathasbeenraised(ooppose
elites.TheyarebyinstinctanLi-establishmentarian,yetinsomesensetheyhavebecomea
newestablishment.Theyareprosperouswithoutseeminggreedy;theyhavepleasedtheir
elders,withoutseemingconformists;theyhaverisentowardthetopwithouttoo
obviouslylookingdownonthosebelow.(9)WhilebemoaningtheBobo's"boring
politics",theBobosareanelitesuperiortotheirintolerantandwarringpredecessors一
they'vecertainlymadeshoppingmorefun,andtheyhaveagcodmoralityforbuildinga
decentsociety.
9、OneofthecharacteristicsofBobosis(hatthey.
A、pursuealifeofcomfortandpeace
B、lacktheincentivetoworkhard
C、maymakeconscientiousdecisions
D、haveabandonedtraditionalmorality
標準答案:C
知識點解析:細節題。第二段首句指出,這些人就是“波希米亞風格的中產階級”一
—或者說“波波族”——他們是信息時代新興的“知識型精英”,他們富足而又繁忙的
生活似乎是舒適享受與道德良知、事業成功與創新叛逆的結合體。由此可知,有良
知是波波族的特性之一,故[C]為答案。[B]和[D]與原文矛盾,故排除;文中沒有
提到追求安寧、平和的生活,因此排除[A]。
1。、WhichofthefollowinggroupsisNOTmentionedasBobos?
A、Americanmiddle-classpeople.
B、Corporateemployeeswhoareinfavoroftraditions.
C、Rebelswhoareagainstconventions.
D、Americanconsumers.
標準答案:D
知識點解析:細節題。第五段指出,現在人們很難區分一位淺啜著意大利濃咖啡的
藝術家和一位吞飲著卡布奇諾咖啡的銀行家,但這不僅僅是風格問題。如果你去調
杳人們對于性、道德、休床和工作的態度,就會發現現在越來越難區分反傳統的叛
逆者和維護傳統的企業人士,[B]和[C]都是文章提及的波波族,故排除;第六段首
句指出,這些波波族只不過是一群延長著青春期生活的普通中產階級,[A]也是文
章提及的波波族,因此排除。只有[D]沒有提及,故為答案。
11、WhatmightbetheBESTtitleforthepassage?
A、AreYouaBourgeoisBohemian?
B、RebelliousBourgeoisBohemians.
C、BourgeoisBohemians—TheElites.
D、MoralityofBourgeoisBohemians.
標準答案:A
知識點解析:主旨題。文章開篇通過描述一類人的特征,引出“波波族''這個概念。
指出他們是信息時代新興的“知識型精英然后介紹了波波族的精神追求、人群組
成、他們關心的事情以及他們的生活態度,并對波波族表示了肯定。顯然[A]符合
全文主旨,故為答案。[B]項只是波波族的特征之一,故排除:[C]、[D]兩項只是
部分內容,比較片面,故均排除。
(1)There'sabriefsceneinthebackhalfofPixar'sUpinwhich8-year-oldRussellrecalls
how,yearsbefore,hisestrangedfatherusedtotakehimoutforicecream.ButterBrickie
wasDad'sfavoriteflavor,Russell'swaschocolate,andthepairwouldsittogether,
slurpingtheirmeltingtreatsandcountingpassingredandbluecars."Thatmightsound
boring,"saysRussell,pink-cheekedwithembarrassment."ButIthink(heboringstuffis
(hestuffIremembermost."(2)IfanythingsumsPixar'smodusoperandi,it'slovingthe
boringstuff.FindingsalvationratherthantheDevilinthedetailsisoneofthemain
reasonsforthestudio'sartistic(53combinedOscarnominationsandwins)and
commercial(nearly$5billioninworldwidebox-officegross)successes.Up,thestudio's
10thfull-lengthfilm,clocksinatazippy86minutesand,liketheninebeforei(,willrise
orfallonthestrengthofitssmallestmoments.(3)Still,forafilmofsmall,finely
observedscenes,thehypesurroundingIJpissnpersized.Itwssthefirstanimatedfilm
evertoopentheCannesFilmFestival,anddanglesfromitsownballoonfleetofbig
ambitions,abigbudgetandbigexpectations.UpalsomarksPixar'sfirstforayinthe
currentlyhotmarketof3Dfilms,andhastheaddedpressureoffollowingOscar-winning
Wall-E,whichpulledinmorethanhalfabilliondollarsworldwide.(4)IstheanswerCarl
Frederickson,Up'sold-timerheroandtheDisney-familyantitlicsisofthestudio'scurrent
megaplexstable,theblow-driedJonasBrothersandteenqueenMileyCyrus?Yes,inpart
becauseoftheinspirationthefilmdrawsfromTheWizardofOz(obviousflying-house
parallels)and,accordingtoPixar,1941'sDumbo.Up'sTechnicolorpurityand
deliberatelyunrealisticanimationisathrowbacktothoseearlyDumbodays,thestudio
says,whenyoucouldpopulateasimpleadventuremoviewithcaricaturedheroesand
haveitbeaspowerful(andlucrative)asarealisticfilm.JoeGrant,thelegendaryDisney
characterdesignerwhodrewtheclassicelephantand(owhomUpisdedicated,wasa
posthumousinfluenceonCarl'scharacterandenvirons;"Wewentto(Grant's)house,and
therewereeventrailswheresomeonehadwalkedthepathfor40years,"remembers
JonasRivera,anUpproducerwhostartedatthestudioasaninterninitsToyStory
phase."Itwasreallyinspiringtous,thepatinaandweightofageonthathouse."(5)
Remarkably,theexpectationshaven'tchangedPixar'swonky,director-drivenfocuson
theteeny-tiny."(I'd)walkintothestoryroomandhearahalf-hourargumentabouthow
Carlmightsitdowninachair,orwherehisphonewouldgo,"Riverasays."Whatwc'rc
tryingtodoisnotjustargueaboutthedetails,butfindwaystocreateabelievable,
impliedhistory."Up'sdetailshaveanincredibletactilequality,fromthejiggleofgolden
retrieverDug'sglossycoattothesweetearnestyofRussell'ssewn-onscoutbadges.An
earlysequenceshowsCarlagingnotthroughconventionaltropeslikeseasonschanging.
but(hroughamontageofhisnecktiesashiswifelovinglydrawsupiheirknots.The
textureandstyleofhistieschangetoreflectthedecades,andthetiefibersaresoclosely
renderedthatyoucanalmostfeeltheirnubbyweave."Wesentourshadingart
director...totheFashionInstitutetoresearchfabricsamplesofdifferenterasforthetics,
evenforCarl'ssuits,likethehoundstooth,t,saysRivera.(6)Theguidingprincipleisthe
sameacrossallPixarfilms:"Wonderandinterestdoesn'thavetocomeoutofpizzazzand
spectacleandhugeidea....Ialwaysknewthatthepowercamefromthesmall,andnot
fromthebig,"Wall-EdirectorAndrewStantonsaidearlierthisyear."(MakingWall-E)
gotmethinkingabout,and(hismaysoundcommercial,buthowgoodSpielbergwasat
makingmomentsofthelitdeslthings."Thatminordetailsdrivemajorplotpointsdoesn't
happenwithoutmeticulouscuration,especiallyintheopening,silentmontagesofboth
WailEandUp."It'snotlettinganystonebeunturned,"StantonsaidaboutWallE,"It
wasn'tarandomchoicetojustpickthis.It'saconversation,like,'Whyarewepicking
this,whyareweusingthisobject,whyareweinthisset?'Andfrankly,Iknowtheseare
questionsIknowyou'resupposedtoaskyourselfasafilmmakerwithanyfilm,but
there'ssomethinginterestingaboutdoingaf
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