1、erior Design of Contemporary Womens Leisure SpaceABSTRACTTwenty-Century is the age of women, women from family to society, the past bydominant male public space, now active in more of a female figure, and even a women onlyspace, such as beauty salons, womens club, womens clothings and other female c

2、onsumerspace is ceaseless emerge in large numbers, although these space design and retrofit emerge in anendless stream but a few people from the feministto examine it, has always beenignored. Contemporary society is a consumer society, womens leisure main body beautyconsumption as the main content o

3、f leisure. Feminist bef is : to destroy the female oppres,not only need to be equal, also need to allow women toe the right of free choice and controlhis right to live. Feminist advocate for women and all peoplee the freedom to choose, cangrasp their own life. Leisure hase a part of our life, leisur

4、e life in many aspects topromote womens self-development, liberation and beioral changes in potential. Throughleisure women can get more achievements and improve their sus in life, the right to life andal confidence enhancement. Contemporary urban female leisure space is actually at thetime of compl

5、etion of physical reproduction, and the body of constras, in the space of thebody control and performance. Beautify the bodyes the main content of female leisure,leisure in the consumer society has been anated to body consumption. Therefore theproduction of body beautiful space is the feminine leisu

6、re space, its essence is bodyconsumption space.Key words: women, consumer, leisureMasculine modernist design style caused gender divi. It ans human nature. Inmodern times，women rise and the feminine design is a user-friendly design style of a return. inpursuit of the curve and the curve ，in pursuit

7、of color and colorhe pass been abandoned.It is a woman body design not female design .Female design needs rationalysis of solchange and the new female physiological and psychological characteristics on the femininedesign. Italso conforms to the trend of sol change. This prdescribing the rise andthin

8、king about the women and the feminine design of this objective fact，which will also serve asa reference in other areas.Nowtdesignis understood from Tokyo to Moscow,from Buenos Aires to Montreal,it isobvioust each country according to its politics,its sociology,its industry,usesdesignin adifferent wa

9、y;but one must addt a universal language is being constructed daily.The wordcultureis used throughout the text in its most democratic sense,t is, as a conceptwhich embrathe ideas and values expressed by modern society as a whole,rathern onewhich only touches one level of human endeavor,in parallel,d

10、esign is understood here as a phenomenon which affects everybody.This definition of culture has to be considered within a broad context which subsumeseconomics,politics and technology as these are the forwhiche determined the dominantcultural patternsodern society.design is also formed and sustained

11、 by these forand,as aresuesignd artefactas cultural ciphers.his book,ie set out to examine both theway in which culture has influenced designhis century and the manner in which design has ,in its turn,played a part in creating culture through the objects,institutions,alities and thepatterns of beiou

12、r and thoughtvepanied it.since 1900, design and culture,hiswide sense,ee increasinglyerdependent and the implications of this relationshipwill re-emerge constantlyhe following chapters.（Design and Culture)On the feminist concept to examine SPA female leisure space design deficiencies are: spacedesig

13、n aesthetic image, rigid single scenes wisingle, traditional style of contemporary femaleleisure space, create escbour, palace garden, these female living space, is stereotypedsingle. Ta, lace, curtain, pattern, bead curtain create a lady living environment, either theRoyal magnificent concubine har

14、em, either big claustrophobic lady bour. If the above thetraditional design style is notthe traditional patriarchal discourse, did not reflect thecontemporary womens subject consciousness, so modern contemporary style to the abstractelements for design of geometric comition characteristics for moder

15、n women design femaleleisure space whether fled from the male discourse discipline? From the symbolicysis ofthese symbols, without exceptionhe metaphor of femaody beauty, it shows the consumersociety of femaeauty is physical beauty, iggestive of surrealism perfect female image andas fantasy female i

16、mage. Fluent soft curve, elegant st color, soft and fine fabrics, smoothand clean texture, ambiguous romlight, petals Nebula patterns, vivid highlights womenssexy, slim body image, and through the production of sol space of popular consumer culturecondenseshe space, whiakes women through a real spac

17、e, feelings and understanding ofsol cultural norms and cultural requirements of the specification, and these cultural norms andstandards of living. Although publicity rhythm beautyn implicit traditional female beautyshow more contemporary female self-confidence beauty, but the beauty of form is stil

18、l theconsumption culture construction of female beauty. Beautiful women,o a religious orderabsolute. Beautiful women hase a cultural symbol, a function existence. In maleaesthetic standards for the design of the three types of femaody consumption space problems:thefrom the design, the contemporary f

19、emale leisure space language aestheticform of stereotypical, tend to use several standard stereotyped femaeauty shto the spaceform of language, by allowing women to see space from the mirror to see themselves ashallucinations and anxiety according to discipline, female stereotypes of beauty to dress

20、 and discipline yourself, ignore female other aesthetic demand; second from the design ideology,womens casual nature still stays in a materialistic low level class,he spiritual and culturalfield construction defects. Female leisure space is essential at the time to complete the body ofreproduction,

21、and the body of constras,he space of the body control and performance. Body writing as eliminating phallocentrism authoriive discourse, beior standard,building an independent and equal feminist space writing strategy, and for feminists arerespected, and therefore with male construct female body beau

22、ty, shathe feminine spacedesign and be quite different. Feminist notions of the female space is to use female languagesystem to construct spatial, functional requirements, to meet the needs of women, femaleaesthetic expresof feminine consciousness, reflect the female life, reveal contemporaryfemale

23、style exclusive female users of space. Thousands of years of human history, the femalehas been in the Aphasia, all history is the male creation, male master discourse right, alldescriptions of female language is male consciousness to dip, then French feminist ied a body writing slogan. Body writing

24、space is the female bodyo space in this text, with thebody language of art makes the body directlyo the space, with the body of an irrational,nonlinear, without a clear sense of narrative story in order to destroy, linear narrativeo anon-linear narrative, deformation and a nate story elements to sub

25、vert the rational, linear, the central idea of explicit male consciousness of spatial narrative way, from the spatial essence construction has the female essence characteristics of the space form. Deconstruction single,surface, rigid, stylized beauty of the female form, using feminist film language

26、experimentaltechniques, to help construct a female space design language expresmethod, which isappd to the female space design, rich female space design language, from the multiple s to portray female space.Feminist female space design is not only correct contemporary space exists sexual aestheticfo

27、rms, but also from the substaial proceed with of space, construct a really belongs to a femalespace design language. According to the spatial design language system diagram represents thecontent of view, the system is dividedo surfatructure and deep structure. The languageform is the surface structu

28、re, from the viof sic visual reflection space aestheticcharacteristics, can quickly determine tder feature space. Syntax and sems is the deepstructure, while the deep sex feature is need spacehe peoplehe time of walking to feelspace ming, sequence and combination mode, combined with their own cultur

29、al backgroundto understand and feel the gender differenin characteristics bring aesthetic differenofexperience. Therefore the deep structure reflected the feminine essence, the space design is sible on the true meaning of female space. Through the comparison of female literature, art,film can find t

30、heir common ground: feminist literature, art and film are in recognition of femalenature and use of body on the basis of the construction of female language, espelly thefeminist literature and art to the body and their own living environment for the language symbol is the most prominent; common crea

31、tion methods all is deconstruction method, breaking thetraditional patriarchal ideology construction of the female language symbol system, let thesymbols can cure and a fixed relationship to collapse,he grammar construct female narrativeand writing style, in a sem signified relation showed different

32、houghts and feelings.concepto the feminist deconstruction fixed signifier andand differance, use their own language to express their ownReview of Chitraditional culture, promote the body balance of female recreationalspace in space design, the language also shoulde both feminine and masculine in nat

33、ure,temperament, andernational balance, coordination in the emphasis on gender differenbased on the pursuit of a bisexual harmonious symbiosis of space, is the Gender harmony of the female space in language design of the system isperformance of feminine nature, the surface structure can be masculine

34、real female space. he deep structureform of languageelements. From the care of female aesthetic psychological needs of multi-level,female leisure space design the highest requirements, is through the space design to convey thebeauty of the female is diverse, sot womenhis space of seeing his own soul

35、 attitude, selfdiscovery, understanding, self consciousnesf, true to myself, to a new attitude and attitude inthe face of every day of my life. Space for quiet, illusory effects can make the female from thedesire to own innerrospection.當代都市女性休閑消費空間室內設計摘要：21 世紀是女性的時代，女性從家庭社會，過去由占主導地位的公共空間，如今活躍著的是女性身影

36、，甚至還有女性專屬的空間，例如美容美發店、女子、女子服裝店等女性消費空間不斷涌現，雖然這些空間設計花樣翻新層出不窮但卻很少人從女性主義角度去審視它，一直處于被忽視的地位。當代社會是消費社會，女性的休閑主要以身體美消費為主要的休閑內容。女性主義的信念是：要消滅女性所受的，不僅需要平等，還需要讓女性有的權利及控制自己生活的權利。女性主義提倡讓女性和所有人都有，都能把握自己的生活。休閑已經成為生活的一部分，休閑有促進女很多方面的自我成長、和行為變化的潛能。通過休閑女性可以獲得的成就和自己在生活中的地位、權利和個人對生活的把握的增強。當代都市女性休閑空間實質是在時間上完成身體的再生產，并對身體進行約束

37、，在空間上對身體進行與表現。美化身體成為主要休閑內容，女性的休閑在消費社會已經異化為身體消費。因此生產“身體美”的空間就是這些女性休閑空間，其實質也是“身體消費”空間。：女性， 消費， 休閑化的現代主義設計風格造成兩性，是對人性的異化。在當代，女性的崛起及女性化設計是對人性化設計的一種回歸。摒棄以往的為追求曲線而曲線，為追求色彩而色彩，表面是女性化設計實質是女體化的設計，理性分析新的社會變遷及女性生理、心理特點上的女性化設計， 即是對兩性平等的回應，也是順應社會變遷的趨勢。本文闡述并思考了女性的崛起及女性化設計這一客觀事實，這也將對其他領域有借鑒作用。從東京到莫斯科，從愛利斯到，“設計”一詞眾

38、所周知。很明顯，每個國家，根據他們各自的政治，經濟，社會，工業的情況，通過不同的方式應用“設計”，但是須提到的事，一個世界 范圍內的詞正在變得日常化。 “文化”一詞，在眾多的范圍內廣為應用。作為一種觀念，和價值的體，他像一個車輪一樣，在當今社會中快速傳遞著，他的力量遠遠大于一個人自身的力量。同樣地，設計影響著每一個人的這種現象，被人們所理解了。文化必須是一個比較寬泛的定義。它涉及到政治，經濟和技術，并以這些決定了社會的文化模式。設計同樣由這些方面并且將其持續發展著。所以，經過設計的史前藝術品便成為了文化的印記。在這本書中，我從兩個，一個是在本世紀中文化對設計的影響的方式，應一個是設計的。這一次

39、，作為創造這個角色，文化通過事物，機構，個性和行為模式，并且通過他們始終伴隨著。自從本世紀初開始，設計和文化，在這樣一個寬泛的領域中，變得愈加互相依存。以女性主義觀念來審視 SPA 女性休閑空間設計不足之處是：空間設計審美形象刻板單一、場景單一，傳統風格的當代女性休閑空間場景，營造逃不出閨閣、宮殿、花園等這些女空間，顯得刻板單一。流蘇、帷幔、花邊、圖案、珠簾等營造出淑活的環境，要么是富麗堂皇的嬪妃后宮，要么是深宅大院幽閉的閨房。如果說上面的傳統設計風格沒有傳統父權話語方式，沒有體現出當代女性的主體意識，那么當代現代風格以抽象元素幾何為設計特征為時髦女性設計的女性休閑空間是否逃離了話語的規訓？從

40、符號分析后得出這些符號，無一例外都在隱喻女性身體美，這正表明消費社會的女性美就是身體美，暗示的是超現實完美化的女性形象和作為“對象”的女性形象。流暢柔美的曲線、淡雅甜美的色彩、柔軟纖細的織物，光滑潔凈的肌理，曖昧浪漫的光照，花瓣的圖案，惟妙惟肖地突出了女性的、苗條的身體形象，并通過空間生產把社會流行的消費文化凝結在空間中,這其間讓女性通過實實在在的空間，感受和認識社會存在的文化準則和文化要求的規范,并以這種文化準則和要求來規范自己的生活。雖然張揚律動的美比起含蓄內斂的傳統型女性美更能彰顯當代女性自信美麗的一面，但這些美的形式依然是消費文化所構建的女性美。“美麗之于女性,變成了式絕對命令”。美麗已成為女性的一種文化符號、一種功用性存在。以審美的三種類型的女性身體消費空間出現的問題：第一從設計層面來講，當代女性休閑空間語言的審美形式刻板，傾向以幾種標準刻板的女性美塑造到空間形式語言中，通過讓女性看到空間就像從鏡中望見自己產生幻覺和焦慮感，從而規訓女性照著這種刻板的