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1、englishteachingsummaryfirst?0seizetheopportunityandrenderenglishclassroomatmospheretocreatearelaxedandhappylearningenvironmentandarousestudentsinterestandcuriosity.second?0thefullstudyonmaterials,carefulpreparation,increaseinterestineachaspectofteaching.it?-salwaysfromeasytodifficultforteacherstodea
2、lwithlearningmaterialsandcontent,atthesametimeweshouldconsideracertaindegreeofstimulationonthestudentslearningintereststomakethestudents?thoughtisalwaysinapositivestate,sothattheirinterestgraduallyupgrade.secondly,weshouldincreasetheteachinglinksthird?0payattentiontothe?°peopleoriented?±to
3、letstudentsplaythemainrole.thepastteachingoftenemphasizestheteachersleading,butonlyconsiderstudentsastheobjectofeducation.andstudents?-mindisseenasthecontainerthatcanbefilledwithknowledge.soeducationcharacteristicsandstudents?-subjectiveinitiativeareignored.teachersshouldputthepupilsaslifewithgrowth
4、potentialwhocontainthemechanismmainbodydevelopment.teachersshouldrealizethepurposeofteachingistodevelopthestudentspotential,drivethedevelopmentthebasicviewofhumannatureisthepremiseoftherelationshipbetweenteachersandstudents.ifeducatorsbelievethathumannatureislazy,shiftless,theneedforstrictteachingsi
5、stoenlighteningconscienee,thentheauthoritytyperelationshipbetweenteachersandstudentsshouldbethemosteffective.thetraditionaltheteachersdignityistheembodimentofauthoritativerelationbetweenteachersandstudents.themoderneducationviewisthathumannatureispositiveandupwardwiththepotentialforgrowthandprogress
6、.thepurposeofeducationistoimprovethedevelopmentofthedevelopmentofhumanpotential.thepromotionofhuman,heteachingprocess,patieneeisveryimportant.itistheembodimentofateacherofgoodbehavior.teacher
7、sjobistosolvetheproblemofstudentsofdifferentdegreesofproblems,whichinadditiontoteaching,butalsothesoul.theworkofeducatingpeopleishard,becausetheymustdealwithallkindsofproblems.andcountlessstudentsshouldbefacedwithawarmheartpatient.mostofthestudents,especiallythepoorstudents,theirenglishlearningpersi
8、steneeandpatieneearepoor,sowhilelearningtheirmoodisofteninastateofsuppression.theyfeelthatlearningisboring.therefore,intheclassroombesidestogivethemparticipateinactivitiesandtheopportunitytospeak,especiallyfortheirquestionsanddoubts,evensimpleweteachersshouldalsobepatienttoanswer,andgivesupportandpr
9、aise,sotoeliminatetheirheartfearandsenseoflossisveryfavorable.0?preparationandteachingprocess00students?-learningprocessformostofthetime,allofthestudentswereveryhard-working.itseemedthattheyhadgraspedalltheknowledgeeffectivelyinthisperiod.however,ifoundsomeproblemswhentheystooduptogivemeanswers.atth
10、attime,ifeltnervousaboutmyteachingeffect.?°wasmyteachingmethodunsuitableforthem?±,isaidtomyself,butihadnotimetothink.itriedtospeakmoreslowlyandclearly,givingthemmoretimetothinkandspeak.itreallyworked.thestudentsandicooperatedwellduringthefollowingsteps.inmyteachingprocess,ifeltitapitythati
11、didn?-tgivethestudentstimetopresenttheirpapersandcorrecttheirmistakes,whichithoughtishouldkeepinmindforfutureteaching.aftertheclass,ourinstructorgavemesomeadvice,anizationoftheclassintermsofmyorganizationoftheclass,thereweresevenstepsindetail.theywerewarm-up
12、,revision,presentation,practice,conclusion,discussionandwriting.fromtheangleofthetimecontrol,allofthestepswerecarriedoutsuccessfullyduringmyclass.warm-upandrevisionoccupiedabout8minutes;presentationoccupied5minutes;practiceaccountedforhalfoftheclass;writinglastedabout7minutes.iwasquitesatisfiedwitht
13、hepartoforalpractice,becauseeverystudentparticipatedinlisteningandtalking.theycouldgivecorrectanswerswhentheystoodup.thefeedbackinformationwasidealatthispoint.e?i°?3?D&o?i?§'?'6X?e?ioy?u?卩?直?3?童oD6da£?e±?e?a-?°?a,d2'Y垃'2'b6'£?e£?e?o'
14、oo?iee?2?1?§?'6?§±?oeu3a叮3e?e?卩?6?iee?i?±e?3e?e?ie£?o?e?a?'?66?ie|£?-1y?ya?oXu£(?oX?a?o?'£?9'?o?'e?i?§?D?±eoC6?'e?a?£?6?D?e?e?2a6D'e?700?Xo£?2a?450?£?°?e?e?2a?450?£?2a?400?£?e?e?2a?500?£?
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18、?¥/e?6D6?6ac?£?6|?ui?卩?6?3?Doy3£?a?u?e±?6u?§eua£?6?662e?i£3?Z?"6?£?u?i?§?D?6?6|ia3?°D?e1a?±?6?D7?'?a?±?£?e?a62e?6?ouo?§?°?"-pepencilpencil-box-day-today-mondaytuesdayyesterday,all-tall-ballsmall(iee?4?Z?eO?£
19、;6Z1u?6?6c.e°£?1a?£o?°?iZ6?卩?x?o?y?-?e?u6y?e?§eZ?§D?eQy?£?±?6?u¥'e?i?§?D2?u6?e?§eu?a?6£?36|3Ze?6?a?D?e?e?£e?2e6?u?eZ2?6?Z?6±e?(-eD?e?5?Z?6?£?§?°¥'e?e?aa?6?'£影Z?u?ye?6?卩?±e±?D?£?u
20、6Z6?i?§?D'ee6?"卩?6?°£?ei?§euiee?6U6?e?6?3?D£?ue1?§euX?e?e?e16?u?§?°'e?a'±????D?e£?'6?'?卩?§6?a6?卩?D§£?£o?e?e?2aunit3卩?i?§£?6?e6?e?§eu'?e?6?a'£?£?e?§eu?d¥?eeuX?o卩?6
21、e?£?e?§eu?u?6?D?¥'e6?Di£'?t?ze?ee?D?±e6Z6?3?a?6?e?a?u'?卩?i?§£?62?e?6ya?§eu1yie3e?i?a?e?-a'?£?e6?eu?aa?i?"卩?§?°?a?e¥eae?i?"a?6?D£?1yie3ei?"a?ee?a'?a?o?ya?a6|a?e?°?£e?a?ee?62?ie?6a?§euia1
22、?ee?e?aa?6?D?Z£?e1?§eu?u6?x?Z?ea?6?a?eaa?e?3?Di?a6?6?a?6|6?£?'?6?u?i?§?D6?6|e?o?ee?e?£?1?Ze?6a?ea£?e6a'6?§eua?e?a?oieu?eZ?e3?£?6?6a6?e?aeu?u?a£?ieu°?e?e?2aunit5£±?6?e6?ee?a?ua?e?£o?3i?§eue?oa?uDD&?£?+?i?§2?o&
23、#163;?e?oeu?1e?u?o?oCo?o?e?o?±i£?°d?oa?u?o?e?d?e|£?2?Ce?oa?ee3£©?1?ee?卩?e?2?ei或?uou'O31?ee?-a°?§eu?-1?C?0?£3?Ce?oaoe?o£?盍eoX?2?2?e?e?£?11?。總3?e?卩?e?Coe?e?o-?3?e?卩?-?£?e1?1?§?X1Ye?卩?2?2?卩Y?2?1eu°?e?e?unit4e±?o?e?eee?o?a?u?
24、e?owhohowhowlonge?ooee?a?e?:?whohowhowfarhowlong4?Coa>Coae?卩?o?X-D?e?卩?e3e±?D?oddou?§?°?卩?12i?o?X-£?o?§?°?u?'DD6?卩?1y31?D£?卩£卩±?-x?2?卩?e?£?Deoaid1?>?o?u?D?C£?u12i?e3ee?卩?1y31?D?d?o?X-?e?'?eyC?d?1?§?u?0?d+DD?a?uo?y£oo?u?d?
25、e|>?d?215?<?e£?卩?oa?'e?a?1?-£?oa?'?e?e?§eu>?£?D?±eoCo?D?¥?a?deuoDd?a?d2?d?£?o?uo?°?2eo?d?1?§£?"©?e1a?C?e1aC?a?e1ad'?卩?ae?£?+>?§o?o?>+?§?°?'?u?1?1?§?D?ie|卩?Xoa2?o£?2?1o|?u?2£?
26、o?e¥1?eeu?卩£yo?2土e?e?±?o<£p?e1a?e?u?ue?o?''y?2oi?u?2?£?e?1e|2C2?e?2?u?2£?e?oa?°?oa?2?±?£?u?卩£?e?§eu3?e?o?oD?1e|?卩土卩?2euoieee土卩£?t?§|eu?2?e?ue?e?£?e?§eu?o1?e?oD?1e|?a?卩?oy卩£?§eu?''D?e?ou?卩?卩?d?
27、3;?e?§eu?D?d?D?o?oD?1e|卩?'e?§eu?§?°e?±?e±eue?eo1?e?£oo'?1e|>+?a?§eu?§?°卩?>鉉?Ty?C'u?£?±?D?o?1oy1?eoi?§eue?C3?£?D?ee?o?x?o?°?2?a?±?£?'£?uo?e±?oa?2?£?1?C>?d?°?C?2£o?
28、9;?u?§eu>?-?d£T?o?+?ooa?oe?doa?oo?卩?£2?C?卩?卩?>?£o?2?d?D?卩?C?卩?o1?u?'£?u?§eu>?C?>?o?u'?e?DD?u?2?a?3?o'|±?1貳?o?£?2e?2?卩?卩?±?D?2e?2?£3?Coe?e1a?+e£(?±?§eu?u2?d?d?ae?o?卩?oe?e±?1e|oa?e?p?2£?'o?a?§eu
29、?a?eio(?e?§eu?yediCd1?o2?d?ue;Y?4?Co?X-?Dide?2)土?§eu?uo?X-?§?°?D2?>?>a?DDoDD§o?X-e±£?1e|oa?DDide?D?2?£?o?e1o?X-oDD§0e?e?£5?CXu?de±213?2£o?uXu?do?u?o?a2?d?卩?d?e?e£?u?§eu?dC?Xu?d?u'?e?£?1e|oa?°e±?DD213£
30、?o?o?2?DDdd?o1e?£?'o?e1Xu?d?u?6iCXe£'?Co?±e?1?§?D?±eoCo?D?oDi?3?o?±e?i£?§?ad?°?u?§eu?¥'e£?±?§eu'oo?ae?Co?|ou±?一'?§?°'?'?£?X?o?±?D?D0?±e?1?§?£?'£?o?e?o?uD
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32、9;?£?§1?§'?'?oa?ud?aX?C?<?Co?±eey?'?u?ud£?'+e?-x?u?'¥de?D'?x-£)?ie3e48?o?Co?±e?°?do|X?C?X?Xeo?'?1£§e1?§eu3?2?1yCo?C?'?d?a?u1?£i?e±£?do?12?eu'e±ie¥?ed?°?£?o?o?CD?Co?d?
33、do?'?ye?"e?'¥'e£"?eo?e?eu'e±ie¥?e£?1?±ee?o?D?oD?do?1?e'¥'e£?£?'o?e1?§eu3?2?D?3e?dC?'?d'?u(£|?e1?§eu'?oo?§?°'oo?ae?e?y?-?一'?§?°£'?o?e?e?1?§£?'°'?12?u±d'?1?§e?e?o?'?'?u?1?§?D?o?2?宓1?11?°?u?§'?X?Co?oio?±£i?ee'D?3ee1d'?'?d?ud£?2C?o?2?&
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