原文ThecreativeroleofsourcesofinspirationinclothingdesignSourcesofinspirationanditspersonalinterpretation,visuallyandtechnically,studiesandthecreativeroleofdesigninspiration,duringtheearlyinformalandactualdprocesisopentoentnkesrStudyingcreativefashiondesignasprocessandproductisseenmorenspiracehiaaesthenaldesignprocesses,sharesmanycharacteristicsofengineeringdesignprocess.Researchbusiness.Bythematythecwiefutandobservationarecriticallyimportantinthefashionupwiththechangingworldoffashion,fashionawarenessshouldbecomesecondnaturetoclothingdesigner.everyasaplanning,organizingtomeetagoal,carryingoutaccordingtoaparticularpurposeandthatprocessorplan.ofClothingisanexampleofapplieddesign,eventhemostexciting,originalideapurposeanduse.Designasprocessisplanningtomeetagoal,andthusappliestorgintarpose.derofhermanagementasaplanningprocess.andbehavioural.Sensorydesignisperceivedthroughthesenses,andisclassifiedasManyproducts,however,includeaspectsofboth,becausedesignmaybeperceivedthroughthheinterprevilhorResearchmethodologyandfindings7],[Eeyrdesise,wchsharesmanycharacteristicsofcomplexengineeringprojectsandasanexampleof"practicaldesign"inafastmovingandhighlycompetitivemanufacturingindustry.aaommM-Cr.(triedtoexplainthefashiondesignprocessintermsofquantummechanicsandpsychoanalysisandseedesigncreativityastheultimatemystery;theirdescriptionofstructuredinterviewsandconstrainedandsemi-observation,semi-constraineddesignknowledgeanalysistechniquesofartificialintelligence.Itissituationswhereconventionalknowledgeacquisitionmethodsareeffectiveininsufficient,whenbroadaaInthisresearch,thecreativeroleofsourcesofinspirationinvisualclothingpengignersethroumcdesignstudentsinFashionDesignDepartmentatDokuzEylulUniversityandfivefirstgroupofsubjectsincludedadvancedfashiondesignstudents,seventalentedfourstudentsofpostgraduatestudies,whoalsoworksasafreelanceorparttimeasnrsincistTondgpofa5Sourcesofinspirationinclothingdesignseofiraeghtevi,terisallthewondersoftheentertainmentworld.Infilms,thedesignerisexposedtotheinfluencesofallthearts,andlifestylesthroughouttheworld.Becauseconsumersarepgexpositttnceandtasosdesigninspirationtofashiondesigners.Thefashionsofthepastarealsoarichsourceofdesigninspiration.Whilealwaysalerttothenewandexciting,fashiondesignersaatheoftenlinkedtothesocial"spiritofthetimes"alsocalled"zeitgeist".inspirationinvolveslookingatartobjectsandbooks,goingontripstoplaceslikeParisandMilan,visitingmuseums,watchingpeopleonstreetsandgoingoncountryOntheotherhand,ithasbeenobservedinthefashionindustrythattherearetwotappthehiignprs(2)conceptualclothingdesignprocess,suchasseveralthemesoriginatedfromareItisknownthatthehigh-fashion"name"designerstypicallydevelopaconcept,Themajortypesofideasourcesindesign-ledindustriespreviousproducts,ts,natcena.IncaseofchgabriAlthough,thereisabroadrecognitionthatmuchofthedesignproceedsbypllelastheiuchasLinspidtfigure-huggingsilhouettes.Conclusionsafulrearcolisindoriginalishisorheruniqueinterpretationofdesignsources.Therefore,inordertobemorecreativeandoriginalthesourcesofinspirationplayanimportantroleinclothingideas,blendthemandtranslatethemintoclothesthattheircustomerswilllike.Theextensiveresearchandawarenessandlogicalthinkingandorder,removeagreatdealofthesupposed"mystery"ofdesignorcreativity.Onewhothoroughlyunderstandsasuccessfulfashionproduct.rondeathrtinspirationinclothingdesigncanbesummarisedasfollows:--makingthedesignprocesseasy;--maintainingharmonyanduniformityofthecollection;-rgthnlacumenproducipd,plyfrompr-understandingthefashionappropriationoftheseason;and-創意性服裝設計研究作者：馬丁的服裝設計流程是開放性的，就像其他領域中以美學為導向的設計。學習創意型服裝設計，其流程和產品比其他設計驅動的行業存在更多的問對時尚服裝業進行研究和觀察是至關重要的。通過研究和觀察，設計師可以收戶所希望的設計風格。為了跟上不斷變化的時尚服裝設計，時尚意識應成為每一:比動詞,果。人們展示其實用目的。雖然我們已經意識到一些藝術是純粹的，即“藝術至上藝上講，設計過程的步驟與順序同樣應當考慮產品的實用性。這些步驟與管理規劃人為設計的產品和服務可以分為兩大部類：感覺和行為。感官設計是通過感官可以將其分為視覺、有計劃的行動。然而，許多產品的創作過程都包括感官設計與行為設計兩個方面，因為設計靈感需要通過感官獲得并通過行為來解釋。例如，一場時裝表演既包括如：快速變化和高度競爭的制造業中的“實用設計”。在他們的設計工作中，很多內容都涉及到針織行業的大量研究，而本研究開發制作一個詳細的設計過程模本文進行了一系列的實證研究，主要是通過觀察和訪談。實地調研、半結構化際調研相結合的實證研究方法，可以有效的使用在傳統的知識獲取方法不足的情在本研究中，服裝設計過程中的創造性設計靈感，主要來源于那些剛開始從拘束的想法，這是服裝設計靈感的一大來，此外一些服裝設計專家，他們對實現需一系列的實證研究來證實。我們特意選擇了16個優秀的服裝設計師，11個時裝設組，第一組，主要是那些高級時裝設計專業的在讀學生，還有七個有才華的大三第二組則是由在服裝行業的五個專業設計師組成，他們都至少有5年的服裝設計經驗。?裝接受新時尚。博物館展品、藝術節目展示、世界事件、博覽會、劇院、音樂、舞蹈和旅游都是時裝設計師的設計靈感來源。過去的時尚也是他們一個豐富的設如上所述，一組服裝設計的靈感來源多種多樣。靈感來源往往與社會“時代精尋找各種創意和靈感源泉，例如博覽藝術品和書籍，去巴黎和米蘭旅行并進行考:(1)(2)眾所周知，高調時尚的“名譽”設計師提出了這樣一個概念模型，為了使其強調以設計為先導的產業，其設計思想的來源包括先前設計的