四川省瀘州市高2022暨(2025屆)高三第三次教學(xué)質(zhì)量診斷性考試英語試卷(瀘州三診)_第1頁
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本試卷分為試題卷和答題卡兩部分,其中試題卷由第I卷(選擇題)和第Ⅱ卷(非選擇題)組成,共10頁;答題卡共2頁。滿分150分,考試時間120分鐘。1.答題前,考生務(wù)必在答題卡上將自己的學(xué)校、班級、姓名用0.5毫米黑色簽字筆填寫清楚,同時用2B鉛筆將考號準(zhǔn)確填涂在“考號”欄目內(nèi)。2.選擇題使用2B鉛筆填涂在答題卡對應(yīng)題目標(biāo)號的位置上,如需改動,用橡皮擦擦干凈后再選涂其它答案;非選擇題用0.5毫米黑色簽宇筆書寫在答題卡的對應(yīng)框內(nèi),超出答題區(qū)域書寫的答案無效;在草稿紙、試題卷上答題無效。3.考試結(jié)束后將答題卡收回。做題時,先將答案標(biāo)在試卷上。錄音內(nèi)容結(jié)涂到答題卡上。第一節(jié)(共5小題;每小題1.5分,滿分7.5分)聽下面5段對話。每段對話后有一個小題,從題中所給的A、B、C三個選項(xiàng)中選出最佳選項(xiàng)。聽完每段對話后,你都有10秒鐘的時間來回答有關(guān)小題和閱讀下一小題。每段對話僅1.Whydoesthewomanlikeherjobnow?A.Itprovidesasteadyincome.B.Itgivesflexibleworkinghours.C.Itallowshertodocreativework.2.Whatdoesthemanthinkisthemostimportant?A.Aperformancewithnofaults.B.Astagewithcheeringaudiences.C.Aperformerwithauniquecharacter.3.Whatwillthemandonext?A.Checkthenotes.B.Havedinner.C.Askforhelp.4.Whatarethespeakersmainlytalkingabout?A.Thesatisfactionofcookingmeals.C.Thenewwayofmakingfoodbyhand.A.Thejudgemadeamistake.B.TheplayersweretoocarelessC.Theoppositeteamwa第二節(jié)(共15小題;每小題1.5分,滿分22.5分)聽下面5段對話或獨(dú)白。每段對話或獨(dú)白后有幾個小題,從題中所給的A、B、C三個選各小題將給出5秒鐘的作答時間。每段對話或獨(dú)白讀兩遍。聽第6段材料,回答第6、7題。6.Wheredoestheconversatio7.WhatisthemanprobablygoingtoA.Shopforsportsitems.聽第7段材料,回答第8至10題。C.Sheenjoysexpressingherselfinclass.聽第8段材料,回答第11至13題。A.TooffertrainingfortheyB.Tohelpparentsoutofloneliness.A.500pounds.B.5000pounds.C.6000pounds.聽第9段材料,回答第14至17題。B.HerchildhoodexpA.Entertainreaders.A.ShadowsofSurvival.B.EchoesofCommunity.C.RaceofHope.A.FullofEnvy.B.Fullofadmiration.C.Fullofsympathy.聽第10段材料,回答第18至20題。A.Apicniclunch.B.Waterbottles.A.StudentswithsickleaveC.Studentswithparen第一節(jié)(共15小題;每小題2.5分,滿分37.5分)閱讀下列短文,從每題所給的A、B、C和D四個選項(xiàng)中,選出最佳選項(xiàng)。AMillionsoftravelersmakeittoMarrakecheachyear,butnotenoughsparetimetoexploretherestofthecountry-Morocco.Thistourisaclassicloopofthehighlights,includingsaffron-scentedmedinas,mountainvillages,giantsanddunesandfortifiedfishingtowns.YvesSaintLaurent'sMarrakechTheFrench-Algerianfashiondesigner'simpactonMarrakech—andthecity'sinfluenceonhim—wassignificant,andthismutualappreciationcontinuesthankstotheJardinMajorelleandMuseeYvesSaintLaurent.Thelatter,astrikingmuseum,focusesonthedesigner'sfashionsandhowhewasinfluencedbyMorocco.OuirganeValleyJuniper,oliveandwalnuttreesfillthedipsandcurvesofOuirganeintheHighAtlas.It'soneofseveralvalleysidealforgentlefoothillhikes,butreceivesfarfewervisitorsthanmostasit'sofftheMarrakechday-tripcircuit.AItBenhaddouIntheearly1960s,locationscouts(偵察員)forthefilmLawrenceofArabiasawthemagicinthisrammed-earthksar.Itsstarringroleinthemovie—andmanyotherbig-andsmall-screenoutingssince,includingGameofThrones—hasmadeitahighlightofthedrivetotheSahara.Inrecentyears,localshaveinvitedartiststosetupgalleriesinsidethefortifiedvillage'sabandonedhouses.ErgChebbiRidingacamelthroughthesandsoftheSaharaisaonce-in-a-lifetimeexperience.ThemostaccessibletoursrunfromthevillageofMerzougatoErgChebbi—wherethedunesriseto160metresandstretchfor17miles—buteventhenittakesaroundninehoursbycarfromMarrakechtoreachthem.21.Whichofthefollowingisquitesuitableforawalkingtour?A.YvesSaintLaurent'sMarrakech.B.OuirganeValley.C.AitBenhaddou.D.ErgChebbi.22.WhatmakesAitBenhaddouahighlightonthewaytotheSahara?A.ArtgalleriesinoldhousesB.Earthenarchitecturestyle.C.Itsspecialgeographiclocation.D.Itsappearancesinvariousfilms.23.Whatisthepassagemainlyabout?A.Tourismresourcedevelopment.B.Travelexperiencepresentation.C.TheMoroccoclassictourloop.D.TheMarrakechday-tripcircuit.BWhenIorderfoodfordelivery,Ioftenplayalittlegame,wonderinghowmanysetsofcutlery(餐具)therestaurantwillincludewithmymeal.Moreofenthannot,restaurantsgooverboard.Theythrowintwo,three,orevenfoursets,eventhoughIrarelyneedany.Thisextracutleryeitherendsupinthetrashorcollectingdustinakitchendrawer,whichissuchawaste.ChinesetechgiantAlibabaanditsresearcherscameupwithasimplesolutiontothiscommonproblem.Insteadofmindlesslyhandingoutcutlery,theymadeachangetotheirfood-deliveryapp.InselectcitiesinChina,customersnowhavetochoosehowmanysetsofcutlerytheyactuallywantinthejournalScience,wereastonishing.Therewasawhopping648%increaseinthenumberoforderswithnocutleryrequested.IfthisapproachwererolledoutacrossChina,researchersestimatedthatitcouldsavenearly22billionsetsofplasticcutleryandreduce3.26millionmetrictonsofplasticwaste.Thisstudyreallyopenedmyeyes.Itshowsthattherearesomanylow-hangingfruitsinoureconomythatcanhelpcutwasteandemissions.ForAlibaba,this"nudge"tocustomerscostthemnothingmorethanafewhoursofsoftwareengineeringtime.Buttheimpact?Itwashuge.Theconceptof"nudging"isfascinating.Nudgetheorysuggeststhatsmall,subtlesignalscanencouragepeopletodotherightthing.There'snoneedforstrictpoliciesthatlimitchoicesoreconomicpunishments.Forexample,arestaurantcouldlisthealthyoptionsatthetopofthemenutonudgecustomerstowardsmakinghealthierchoices.Somemightseethisstudyasjustanotherexampleofputtingtheonus(責(zé)任)onconsumersforenvironmentalissues,similartotheplasticstrawdebate.ButIlookatitdifferently.Intheabsenceofcomprehensiveenvironmentalpolicies,companieslikeAlibabacanplayacrucialroleindrivingwidespreadchangesinconsumerbehavior.24.Whatistheaimoftheauthor'sgamewhenorderingfoodfordelivery?A.Tocalculatethecostofthecutlery.B.Totesttheservicequalityoftherestaurant.C.Topassthetimewhilewaitingforthefood.D.Toguessthenumberofcutlerysetsprovided.25.WhatisAlibaba'ssolutiontothecutlerywasteproblem?A.Chargingextraforcutlery.B.Designingnewfood-deliveryapps.C.Lettingcustomersdecidecutleryquantity.D.Encouragingrestaurantstoofferlesspackage.26.Whatdoestheunderlinedpart"low-hangingfruits"inParagraph3probablymean?A.Problemsthatarehardtosolve.B.Ideasthatarecreativebutrisky.C.Measuresthatareeasyandeffective.D.Goalsthataredifficulttoachieve.27.Whichofthefollowingwouldbethebesttitleforthepassage?A.ThePlasticStawDebateB.ActiveEnvironmentPolicyC.ReducingFood-DeliveryCostD.NudgingConsumerstoCutWasteCThisweekend,Isowedthefirstseedsoftheseason—fivevarietiesoftomato.I'mnotoneforsowingseedsearly,buttomatoesneedeverydayofthegrowingseasontoofferupthebestpossibleharvest三診·英語第4頁共10頁Gardenersandgrowersarewellversed(精通的)inthenatureofchange.However,despitewhatplantshavetaughtmeaboutlivingandworkingwithforcesbeyondmycontrol,Ifrequentlyexperienceclimateanxiety.Allittakesisafewdaysofunexpectedlychangeableweatherforpanictoriseupinmythroat.Yet,itisthroughworkingwithplantsthatI'vefoundawayofdealingwiththisparticularanxiety-topayevenmoreattentiontothewonderofthenaturalworldinsteadofchoosingtoturnaway.Andrightnow,aswintergiveswaytospring,istheidealtimetostartapracticeofnoticing.OnthedaysIspendwithmycrops,Iresisttheurgetodivestraightintoallthereistodo;instead,Ifirststoptoobservewhat'snewandwhat'schanged.I'mhungrilysearchingforgreenshootsandswellingbuds(花蕾).I'mdrinkinginallthesignsofnewlifethatremindmethatspringhasalwayscomeandwillinalllikelihoodbebeautiful.Whenanxiousheadlinesmakemefeelpowerlessandwanttodisengage,Idevelopmysenseofessentialconnectionwiththenaturalworld.Thissimplyfeelsmorepossibleinspring.Despitetheveryrealchallengesanddangerswefaceinthistimeofclimatecrisis,thenaturalworldinsistsonshowinguswhatflexibilityandoptimismlooklikeandit'sourresponsibilitytotakenoteandfollowsuit.AsIwritethesewords,Ihaveablanketonmykneesandthewindowopentoallowasilverofthecoolbreezetoblowin.Theworldfeelsfreshandlivelyandisfullofnewenergy.ItrustthattheplantsIgrowthisseasonwillthrive.AndIknowthatspring,hopefullyonethat'soverflowingwithblossom,isalreadyonitsway.28.Whydidtheauthorbegintoplanttomatoesthisweekend?A.Toensuresufficientgrowthtime.B.Topromoteearlyplantingtechniques.C.Toavoidunpredictablespringweather.D.Toexperimentwithnewseedvarieties.29.Whatisthepurposeofthesecondparagraph?A.Todefinegardenersandgrowers.B.Toshareawaytodealwithclimateanxiety.C.Tocriticizethoseignoringenvironmentalproblems.D.Toargueforgardeningasthebestnatureconnection.30.Whatdoestheauthorfocusonwhenworkinginthegarden?A.Newchangesinplants.B.Theharvestofcrops.C.Thebeautifulsurroundings.D.Dailyweathersituations.31.Whichwordsbestdescribetheauthor?A.Concemedandanxious.B.Observantandpositive.C.Consideratebutoverconfident.D.Patientbutimpractical.DRecently,AI-generatedartisworryingtosomeartists,whowonderwhetherthey'llbereplacedbythistechnology.Meanwhile,othersconsiderAIcreationsaslitlemorethanhigh-techcopying.AmassofAItoolshavebecomeavailabletothegeneralpublic.Themostaccessibleonesonlyrequire包).However,whenaworkofartmadewithAIcontroversiallywonanartprizeinColorado,manyrealizedthatthetechnologyhasmoretoofferthanjustmemes.AdigitalartistexperimentingwithAIisZzai,whowasborninGuangxi,China.WhilebrowsingthroughZzai'sattractivecreations,fewmightguessthattheartisthasbeenexperimentingwithAIforonlyhalfayear.“InMayIstartedfollowingsomebloggersonXiaohongshuandIwasreallyinspiredbytheircreations,soIstartedlearning,"saystheartist.BasedonanAIimagegeneratorcalledMidjourney,Zzaicreatesvisionaryimagesthatblend(融合)cyberpunkwithChinesecultureandhistory.Theartist'sseriesCyberPekingOperaattemptstoanswerthequestion,"Whenweenterthemetaverse(虛擬現(xiàn)實(shí)空間),whatwilltraditionalartcometo?"andexplorestherelationshipbetweentraditionandtechnologywhilealsoprocessingculturebywayofdigitization.“TheriseofAItechnologyisanirreversibletrend,"addsZzai."Itsscaleandspreadwillonlyincreasewhenthephysicalworldandvirtualrealityareblended."WhilegeneratingAIartworkoftentakesnomorethanaminute,thepreparatoryworkistime-consuming.Artistsneedtofamiliarizethemselveswithdifferentsoftwareandputtogetherstringsoftexttoproducethedesiredresults.Zzaiisusinghiseye-catchingcreationstocombatnegativestereotypesofAI-generatedart.“Opinionsareverypolarized.Somearesupportiveofthistechnology,butmanyareresistanttochange,"hesays."AIisworthyofourimagination,andmyprojectsmakeuseofthistechnologytomakeboldattemptsatcreation."Throughhiswork,ZzaidemonstratesthatAIisnotjustatoolforreplicationbutamediumforbold,innovativeexpression,offeringnewwaystoreimagineandpreserveculturalheritageinthedigitalage.32.WhatcanbeinferredfromthewinningofanAI-madework?A.AIarthasshownitstruepotential.B.Traditionalformstillholdsitsadvantage.C.Artistsaredoubtfulaboutthetechnology.D.High-techcopyingconsistsofsimplememes.33.HowdoesZzaicreatehisseries?A.ByrelyingontheAItoolandhisideas.B.BycombiningdifferentAIimagegenerators.C.Byusinghisrichexperienceintraditionalart.D.ByleaningfromdigitalartistsonXiaohongshu.34.WhydoesproducingAIartworkrequiremuchtimeofartists?A.Theyneedtodesignenoughoriginalimages.B.Theyhavetounderstandthemetaverse'sfeature.C.Theyhavetospendagesinimprovingthesoftware.D.Theyneedtograspsoftwareoperationandprocesstexts.35.WhatisZzai'sattitudetowardsAItechnology?A.Cautious.B.Critical.C.Confident.D.Uncertain.三診·英語第6頁共10頁第二節(jié)(共5小題;每小題2.5分,滿分12.5分)閱讀下面短文,從短文后的選項(xiàng)中選出可以填入空白處的最佳選項(xiàng)。選項(xiàng)中有兩項(xiàng)為多余The7-38-55rule,developedbyAlbertMehrabianin1971,showsthatonly7%ofmeaningiscommunicatedthroughwords,while38%throughtoneofvoiceand55%throughbodylanguage.37Yourbodylanguageismuchmoreimportantthanwhatyou'reactuallysaying.Ifyourcounterpart'sbodylanguageindicatesthattheyareabouttolosetheirbearings,speakcalmlyandplainly,slowingthepaceofthenegotiation.Lookfordifferencesbetweenspokenwordsandnonverbalbehaviors.Whenyou'reatthenegotiatingtable,payattentiontohowyourcounterpartspeaksandacts.38It'salsoimportantthatyoumakesureyourownonverbalmessagesareinlinewithwhatyouaresaying.Ifyourfacialexpressionsarepainedandyou'rekeepingyourcontact,youarecommunicatingyouruncertaintytoyourcounterpartnomatterwhatyou'resaying.Learntousedifferentvocaltones.Masteringtheuseofyourvoicecanhelpyoubecomeabetternegotiatorbyimprovingthedeliveryofyourdebates.Inthenegotiatingroom,therearethreemaintonesofvoice:competitive,compromising,andaccommodating..39 40Tapintoyourlisteningskills,assesshowyourcounterpartisfeeling,andchangeyournonverbalcommunicationinresponse.Whendebatingthemainpointsinanegotiation,youshouldtrytochangeyournonverbalbehaviorsbasedonthemessagesyouarereceivingfromyourcounterpartEvenifyourargumentsthemselvesdon'tchange,changingyournonverbalmessagingcanbeeffective.A.Observeyourcounterpart'sbodylanguage.B.Adjustyourownnonverbalcommunication.C.Communicatenon-verballywithyourcounterpart.D.Doyouexpressyourideasproperlytoyourcounterpart?E.Thishighlightstheimportanceofnonverbalcommunication.F.Generallyspeaking,acooperativevoicegentlypromotespartnership.G.Dowhatthey'resayingmatchesthewaythey'recarryingthemselves?第一節(jié)(共15小題;每小題1分,滿分15分)閱讀下面短文,從短文后各題所給的A、B、C和D四個選項(xiàng)中,選出可以填入空白處的最佳選項(xiàng)。三診·英語第7頁共10頁ThisOctober,DaniloandIhadthehonorofbeinginvitedtothecityofWuxi,toreceivetraining.There,wedecidedto41thelocalnightlife.ThethirddayofourstayinChinais.42inmymemory.JustaswewereonNanchangStreetenjoyingthelocalcuisine,herecame43forhelpfromabout10metersaway.Lookinginthatdirection,wesawayoungcouple.Theyoungwomanfellintothewater,andtheyoungmanjumpedintotryto44herbutcouldn't.Apparently,hedidn'tknowhowto45wellandsoonstarteddrowning.Without46Ijumpedintothewaterandswamtowardstheyoungman,whowasclosertomeandvisibly47.Withthehelpofthelifebuoy(救生圈),I48tobringhimtotheshore.However,whenItriedtogofortheyoungwoman,thecurrenthadalready49heraway,andIwastooweakduetothecold.50atonly16degreesCelsius.ThenDanilo51andwiththehelpofothersaround,wefinallysavedtheyoungwoman.DuringmystayinWuxi,I52someunforgettablemoments.Theprofessorsattheresearchcenterwereextremely53,bothacademicallyandpersonally,makingusfeelathome.Althoughwedidn'tstaylong,thewarmthandkindnessoftheChinesepeopledeeply.54us.Chinahasbecomemysecondhome,and55my"Chinesefamily"wastheleastIcoulddo.Nomattertheplaceortime,wemustalwayshelpthoseinneed.41.A.describeB.exploreC.clarifyD.compare42.A.imprintedB.involvedC.trappedD.hidden43.A.tearsB.tipsC.criesD.ideas44.A.rescueB.accompanyC.controlD.comfort45.A.balanceB.swimC.breatheD.behave46.A.guiltB.interruptionC.pressureD.hesitation47.A.frightenedB.astonishedC.exhaustedD.disappointed48.A.managedB.stoppedC.continuedD.intended49.A.keptB.sweptC.blownD.turned50.A.shoreB.lifebuoyC.windD.temperature51.A.jumpedinB.gaveinC.caughtupD.cameup52.A.recalledB.missedC.distinguishedD.experienced53.A.diligentB.supportiveC.energeticD.sensitive54.A.amusedB.confusedC.movedD.shocked55.A.servingB.meetingC.savingD.forming瀘州市高2022級第三次教學(xué)質(zhì)量診斷性考試第Ⅱ卷(非選擇題,共55分)注意:將答案寫在答題卡上。寫在本試卷上無效。第二節(jié)(共10小題;每小題1.5分,滿分15分)閱讀下面短文,在空白處填入1個適當(dāng)?shù)膯卧~或括號內(nèi)單詞的正確形式。InJuly,2024,BeijingCentralAxis(中軸線)56(add)totheUNESCOWorldHeritageList,becomingChina's59thWorldHeritageSite.Rootedintheparadigm(范式)ofidealcapitalplanningintraditionalChineseculture,theCentralAxisinBeijing,57governstheoveralllayoutoftheoldcityareaoftheChinesecapital,showsanensemble(整體)ofpalaces,publicbuildingsandgardens. 58(stretch)7.8kilometersnorth-souththroughtheheartofBeijing,theAxisconsistsof15components,withtheBellandDrumTowersat59(it)northernendandYongdingmenGateatthesouthermend.ConstructionoftheAxisbeganinthe13thcenturyandtookshapeinthe16thcentury.It60(undergo)constantrefinementoverthepastsevencenturiesandcontinuestoinfluenceBeijing'surbandevelopmenttothisday.TraditionalChinesephilosophical61(concept)of"zhong"(centrality)and"he"(harmony)arerepresentedinthedesignoftheBeijingCentralAxis.Forexample,toemphasizethesignificanceofimperialauthority,theroyalpalacewasplacedinthecentralpositionwhileotherkeystructureswere62(skillful)arranged.Beijingwasnotthefirstcity.63(use)acentralaxis.DuringtheThreeKingdomsperiod(220-280),thecityYechenghadastreetrunningfromtheeasttothewest.Itseparatedtheroyalpalacesfromcommonpeople'slivingandbusinessareas.InChang'an,thecapital64theTangDynasty(618-907),therewasawidestreetfromthenorthtothesouth,makingthecitysymmetrical.Thecentralaxisismorethan65materialrelic.ItisalsoacontinuationofthetraditionalChinesecitylayoutconcept.第一節(jié)(滿分15分)假定你是校學(xué)生會主席,英國友好學(xué)校的學(xué)生即將結(jié)束在你校為期一周的文化交流活動,請你寫一篇英語歡送詞,內(nèi)容包括:1.寫作詞數(shù)應(yīng)為80左右;2.請按如下格

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