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浙江省部分市
2024屆高三下學期二模英語試題分類匯編
閱讀理解
2024屆浙江省嘉興市高三下學期4月二模英語試題
第一節(共15小題;每小題2.5分,滿分37.5分)
閱讀下列短文,從每題所給的A、B、C和D四個選項中,選出最佳答案。
A
AOnewomanCinderellaShowIsingtoFairfield
AonewomanshowthatreimaginestheclassicfairytaleCinderellaisingtotheFairfield
munityArtsCenter.TheChildren'sTheatreofCincinnatiwillpresentCinderellaWoreCowboy
BootsforonenightonlyonJan.26.Thetravelingshowisforchildrenages4andupandpromises
“kneeslapping"edicmomentsandheartwarminglifelessons.
“Ilovechildren'stheatre,MsaysRosvicSiason,whoplaysCinderella.4iKidsareourfuture
andweintroducethemtothesestories.Weallhavesituatiorsatonepointinourlifethatlooklike
thisconversation.Itjustkindofhelpsyoudevelopyourbrainandlearnhowtothinkasa
developingperson.It'sreallyimportanttoexposekidstotheatreandwellroundcdactorstheycan
talktoforguidance.”
Theseoncman,onewomanshowshavesomuchbeautybecauseitisveryraw.People
actuallyfollowalongmucheasierthanyouthink.It'seasytoshareafeeling.Theywillbe
expectedtointeract,deliverlinesandrepeatafterCinderellathroughouttheproduction.Cinderella
WoreCowboyBootswilldeliverafunny,meaningfultwistontheclassicfaiiytalethatencourages
audiencestoexpandtheirimagination.
“Usinginiagiiialionhelpskidstothink.oftilingsinmorewaysihanone,”Siasunsays."Il
opensthemupandmakesthemthink,'Hey,thisisonewaythiscouldwork/Or,'1couldtrythis
way/andthenseewhathappcns.^^
Visitfairfieldcity.orgforticketsandmoreinformation.
1WhatisCinderellaWoreCowboyBoots?
A.Abook.B.Atheatre.C.Aperformance.D.A
lesson.
2.Siasonthinksstoriesinchildren'stheatrecan
A.offertemporaryamusementB.helpdealwithlife'schallenges
C.allowindividualstoavoidrealityD.provideopportunitiestomakefriends
3.WhatmightSiasonencouragechildrentodo?
A.Sticktotherules.B.Daretodreambig.
C.Alwaysfollowthecrowd.D.Thinkoutsidethebox.
B
Ihavealwaysbeenproudofmyhandwriting,askillIwastaughtingradeschool.Theteacher
wasteachingusthePalmerPenmanshipMethod,drillingintoustheimportanceofformingbig
flowinglineswhenwewroteg,sands'saswellasbeautifulf'sthatinmymindwerelikefairy
talcprincesseswearingfarcyhatswhileextendingtheirrightfoot.Wewerestrictlyprohibited
fromusingblocklettersonourhomework,astheylackthebeauty.
Nowitbeesapparentthatyoungpeoplenolongerlearrcursive(草書).Theytypeeverylhing,
mostlyontheirphones.Beautifulhandwritingisathingofthepast.Thishasbeeasourceofgreat
sadnessamongtraditionalists.
Butrecentlysomethinghappenedthatshookmyfaithincursive.Tomyplctcdisbelief,not
onebuttwoofmyclosefriendsplainedaboutthehandwritingonmypostcards.Theywere
gratefulforthebeautifulpostcards1regularlysent,buttheysaidtheyhonestlycouldn'treada
thingIhadwritten.OnefriendwentsofarastoaskifIcoulduseblocklettersnexttimesothat
shecouldunderstandwhatIwaswriting.
Initially,Iwasangry.IhadmadetheefforttocoveranentirepostcardwithwhatIviewedas
notjusthandwritingbutcalligraphy.ButthenIshowedanEnglishfriendapostcardI'djust
written,andhesaidthattheonlythingthatwasreadilyunderstandablewastheletters"U.S.A.”
Thereslofit,hepolitelysuggested,lookedlike“chickenSCRIWI''.
Lookingatthepostcarddispassionately,Iunwillinglyadmitthathehasapoint.Allthem's
andn'sruntogether,andtheVslooklike1's.Thea'sareindistinguishablefromtheq's.So,from
nowon,I'mtakingtheiradviceandusingblockletterstomunicate.
Infact,Ijustnowsen:anoldfriendapostcard.Butthistime,Isimplywrote—inbigblock
letters:
DEARALICE:
HI.
JOE.
Ihopeshegetsthemessage.
4.WhatdoweknowaboutthePalmerPenmanshipMethod?
AItischaracterizedbybigflowinglines.B.Itisrarelyappreciatedby
traditionalists.
C.Itwasnotallowedinstudents'homework.D.Itisviewedasatrendinhandwriting
styles.
5.Whatweakenedthewriter'sbeliefincursive?
A.Thepopularityofblocklettersinrecenttimes.
B.Theyoungergeneration'sdisinterestincursive.
C.Hisfriends'failuretoprehendhispostcards.
D.HisEnglishfriend'ssuggestiononpostcarddesign.
6.Whydidthewriterswitchtoblocklettersfbrmunication?
A.Todeliverhismessageclearly.B.Toimprovehishandwritingskills.
C.Towinpraisefromhisfriends.D.Toshowhispassionfbrcalligraphy.
7.Whatisthetextmainlyabout?
A.Thewideuseofcursive.B.Thesaddeclineofcursive.
C.Thevalueofpreservingcursive.D.Thetechniqueofwritingincursive.
C
Meatcultivated(培植)fromcells—withnoneedtoraiseandkillanimals—isnowareality.
Theprocessofcultivatingmeatusesthebasicelementsneededtobuildmuscleandfatand
enablesthesamebiologicalprocessthathappensinsideananimal.Cultivatedmeatisidenticalto
uunvcnlionalniualalliiucellularlevel.Butcanilbemadecheaplyenoughloreplaceanimal
agriculture?
Morethan150startupsarepursuinganambitiousgoal:meatthatdoesn'trequireraisingand
killinganimalsandthatisaffordableandtastesandfeelslikethemeatweeatnow.Theyarepart
ofayoungindustryaimingtousecellbiologytoreducetheenvironmentalimpactoftheworld's
everincreasingdemandfbrmeatandchangeglobalproteinproductionthewayelectriccarsare
shakinguptheautoindustry.
“Weareaddictedtomeatasaspecies.It'spartofourculture,''saidBelieverfounderYaakov
Nahmias.But“wcthoughtaboutquantityratherthantheenvironment,ratherthansustainability.”
Althoughtherearcdozensofpanicsmakingthismeat,nonehaveyetreachedmerciallevel
productionintermsofscaleorcost.Fromcelllinedevelopmenttobioprocessordesign,therearea
numberofscientificchallengestomeetbeforecultivatedmeatiswidelyavailableatthemarket.
Governmentpolicyisanotherchallenge.OnlySingaporeandtheU.S.allowsalesofcultivated
meat.
Andwhilemanypeoplewhohavetrieditsaytheylikeit,othersfindtheideadistasteful.A
recentsurveyfromTheAssociatedPrcssNORCCenterfbrPublicAffairsResearchfoundthathalf
ofU.S.adultswouldbeunlikelytotryit.Whentheywereaskedwhy,abouthalfsaidtheydidn't
thinkitwouldbesafe.EvenNahinias^lOycaroldsonOrensaidhewouldonlycattraditionalmeat.
“Ifeelbad”fbrtheanimals,hesaid,“buttheyareyummy!”
“Untilthismeatcostsandtastesthesameastraditionalmeat,itwillremainaspecialized
product,"saidBruceFriedrich,presidentoftheGoodFoodInstitute.
8.Whydoesthewriteraskaquestioninthefirstparagraph?
A.Toindicateanopinion.B.Topresentaworry.
C.Tomakeanassumption.D.Tostartadiscussion.
9.Whatdocsthecultivatedmeatindustryaimtodo?
A.Studycellbiology.B.Providesustainableprotein.
C.Endworldhunger.D.Helpthetraditionalfoodindustry.
10.Whatcanweinferaboutcultivatedmeat?
A.Itisunripefbrmassproduction.B.Itisaspopularastraditionalmeat.
C.Itissaferthantraditionalmeat.D.Itispctitiveinpriceandquantity.
11.WhalisBruceFriedrich'sallilLiduLothefulurcofcultiva.cdmeal?
A.Enthusiastic.B.Dismissive.C.Unclear.D.
Reserved.
D
It'smonlyacknowledgedthatourlivesareruledbyalgorithms(算法),buthavewereally
collectivelyunderstoodhowtheyhavetransformedourcultureandpersonality?
InFilterworld:Howalgorithmsflattenedculture.KyleChaykaarguesconvincinglythatthe
riseofalgorithmdrivenfeeds,usedeverywhereonlinefromInstagramtoSpotify,hasledtoamore
uniformculture.Ourtastesanddesiresincreasinglydon'tbelongtous,buttoalgorithmsthatarc
designedtokeeppeopleengagedatallcosts.Ifthecollectionofourtastestrulyshapesourentire
personality,thenthislossismorepsychologicallydamagingthanitfirstappears.Aimlessly
scrolling(滾屏)throughNetflixorTikTokmayseemharmless,butoverdays,monthsoryears,
welosetouchwithwhatwelikeandenjoy.
Tastemakingalgorithmsareinescapable.Chaykashowsthisbyworkingthroughallcomers
oflife:whatwewear(TikTck),whereweeat(GoogleMaps),musicwelistento(Spotify),even
whowcdateormarry(Tindcr).Thisuniverseofalgorithmdrivendecisionshassocictywidc
implications:extendstoinfluenceourphysicalspaces,ourcities,andtherouteswcmove
through...flatteningtheminturn.',NoonegetsoutoftheFilterworlduntouched.
Ifyou'reluckyenoughnottoneedanysortofalgorithmbasedsystemforyourwork,then
youhavetheoptiontostepbackfromalgorithmsforawhile.Butifyourfriendsuggestsafilm
remendedonX/Tvvitteroryoufeeltheneedtobuythoseshoessuddenlyeveryonehasstarted
wearingaftersocialmediaadvertisements,whatareyoutodo?Itallfeelsfruitless.
ThisFilterworldmaybeinescapable,butthereishope.Youcanstartbyengagingmorewith
themediayoudochoosetoconsume.Thiscouldmeanreadingupaboutafilmyouwatchedor
payingartistsyoulikedirectly.Eventhethoughtfulactofremendinganalbum(專輯)toafriend
ismorerewardingthanarandomTikTokfeed.AsChaykasays,resistancetoalgorithms“requires
anactofwillpower,achoicetomovethroughtheworldinadifferentway.”
12.WhatisKyleChayka'sopiniononalgorithms?
A.Theyimproveourtastes.B.Theymakeourculturemorealike.
C.Theyhelptoidentifyourpersonality.D.Theycontributetopsychological
problems.
13.Whatdoestheunderlinedpartinparagraph3referto?
A.Thesocietywithadvancedtechnology.B.Theworldwithoutsocialmedia
platforms.
C.Thenetworkofalgorithmdrivendecisions.D.Themunityfreefromalgorithmic
influence.
14.Whichofthefollowingisawaytoresisttheimpactofalgorithms?
A.Limitingtheuseofsocialmediaplatforms.B.Makingchoicesbasedonfriends'
suggestions.
C.Gettingmoreinvolvedwiththeselectedmedia.D.Disconnectingfromsocialmedia
advertisements.
15.Whatisthebesttitlefbrthetext?
A.Algorithms:CulturalTakeoverB.TheSecretofAlgorithms
C.SocialMedia:CulturalMessengerD.TheRiseofDigitalPlatforms
2024屆高三下學期二模英語試題
第一節(共15小題;每小題2.5分,滿分37?5分)
閱讀下列短文,從每題所給的A、B、C和D四個選項中,選出最佳答案。
A
Haveyouheardofthesefourmonuments?
Carhenge.FloralisGenerica.TrafficLightTree.HandoftheDesert-thesearefourunusual
monumentsfromaroundtheworldyoumightliketovisit.
?Carhenge
CarhcngcisinAlliance,Nebraska(USA).Asthenamesuggests,ithasalotinmonwith
Stonehenge,thefamousstonecircleonSalisburyPlain.ButwhileStonehengewasbuiltwith
stones,Carhcngcwascreatedwithcars.Themonumentwasmadein1987byalocalartistJim
Reindersandhisfamily.Heusedoldcarsandevenanambulance.Atfirst,thepeopleofAlliance
didn'tlikeit,buttheysoonchangedtheirmindsafteritbecamepopularwithtourists,whobrought
lotsofmoneytothetown.
?FloralisGenerica
FloralisGciicriuaisamassiveslalucofaflowcr.IlstandsinapoolofwalerinIroulofthe
NationalMuseumofFineArtsinBuenosAires,Argentina.EduardoCatalano,anativeof
Argentina,gavethestatueasagifttothecityin2002.Everymorning,theflowcropens.Ask
anyonewhohasseenitandtheyMItellyouthatwatchingitopenisanunibrgettablesight.Inlact,
manypeoplebelieveitisoneofthemostbeautifulstatuesintheworld.
?TrafficLightTree
1heIratticLightIreeissituatedat1leronQuay,inoneofLondon'stinancialdistricts.1he
treehas75setsoftrafficliglits.ItwascreatedbyFrenchartist,PierreVivant,andwasinstalledin
1998.Aputercontrolsthelights,whichareturnedonandoffrandomly.Theroundaboutwherethe
treeiswasvotedthemostpopularroundaboutintheUKinarecentsurvey.
?ManodelDesierto(HandoftheDesert)
TheHandoftheDesertisintheAtacamaDesertinChile.Thesculpturewasdesignedbythe
ChileansculptorMarioIranazabal.Fromadistance,itlooksasifthere'sagiantinthesandwho
hasstuckhishandoutoftheground.
Ifyou'relookingfbrsomethingnewtosee,youknowv/heretogo!
1.WhydidthepeopleofAlliancechangetheirattitudetowardCarhenge?
A.ItremindedthemofStorchcngc.B.Itbroughtthemfinancialbenefits.
C.Itaddedbeautytotheirmunity.D.Itdisplayedthecreativityofthe
designer.
2.Whichofthefourmonumentswasdesignedbyaforeignartist?
A.Carhenge.B.FloralisGenerica.
C.TrafficLightTree.D.ManodelDesierto.
3.Whereisthetextprobablyfrom?
A.Aguidebook.B.Anewsreport.
C.Asciencemagazine.D.Anarchitectureadvertisement.
B
Lima,thecapitalofPeru,istheworld'ssecondlargestdesertcity.Theregioniswaterstressed.
Theannualrainfallislessthan4cm.Accesstowaterisanongoingproblemfbrtheresidentsin
andaroundtheSouthAmericancapital.
WhenindustrialengineerAbelCruzwasaboyhisweeklyworkwastoclimbdownavalley
inthefoothillsofihcPeruvianAndeslolelulilliciamily'swalerIroniaspring."Ilwasdownhill
fromthehouse,farawayandsteep,“hesays.Cruzbegandreamingupbetterwaystocollectwater.
Thenhenoticedthatsubtropicalplantscapturerainandmistwiththeirwideleaves.ActuallyLima
doesn'tlackinhumidity(濕度),averaging83%yearround.LocatedinthefoothillsoftheAndean
mountains,itisclosetothePacificOcean,whichensuresthatblanketsofdensefbgrollinfbr
threequartersofayear.Eventually,AbelCruzstnickupontheideaofafbgnet.
Eachupraisednetis20squaremetres,wheremicrodroplctsofwatersuspendedinthetbggy
atmospherecondense(凝結)anddripdownintocollectiontanks.Approximately200to400litres
ofwateriscollecteddailyfromeachnet.Localscanfetchitinbucketsforsmallscalcfarming.
WorkinginLimawithsupportfromtheCreatingWaterFoundation,Cruzhasinstalledover3,600
netsonhillsidesaroundthecitytocapturefogdriftinginfromthePacificOcean.Cruzraised
fundsfbrhundredsofnetsinPeruwithhisrevolutionaryinitiativePeruviansWithoutWater.He
aimstosetupevenmorefbghanesters,andtotreatthewatertomakeitdrinkable.
“Theplanethaslessandlessfleshwater,“Cruzpointsout,“becausetheglaciersthatare
naturalreservoirsaredisappearing.Sowemustfindawaytoaccumulateandsavewaterfbrtimes
ofdrought."Thetechnologyislifechangingfbrthepoorhouseholdswhonormallyhavetorelyon
watertanksbeingdeliveredtothem.Hisapproachendsextremepovertyandbringsrural
development.Moreover,heistryingtobringhealthyandcleanwateralsotourbanareaslacking
water.
4.WhydoestheauthormentionCruz'schildhoodexperienceinparagraph2?
A.Toillustratetheurgencyofreducingpoverty.
B.Tohighlighthisresponsibilityfbrthefamily.
C.TotracetheoriginofCruz'sgreatinvention.
D.TostressLima'sterriblegeographicalconditions.
5.WhatdoweknowaboutCruz'sinvention?
A.Itwasinspiredfromsubtropicalplants.
B.Itusedcollectiontankstocondensewater.
C.Itloweredcostsinbuildingirrigationchannels.
D.Itsolvedthedrinkingwaterissuewithfbgharvesters.
6.WhatmayAbelCruz'seffortsleadto?
A.GuaranteeingcropharvestsinPeru.
B.Promotingtherecycleofwaterresources.
C.Endingpovertybyimprevingtraditionalfarming.
D.Improvingthelifequalityforpeopleinwaterstressedareas.
7.What'stheauthor'spurposeinwritingthepassage?
A.Todescribethefiinctionsofaninnovativefbgcatcher.
B.iocallpeople'sattentiontotheworseningwatercrisis.
C.Toseekmoresupportinraisingfimdsfbrwatercollection.
D.TointroduceAbelCruz'sinventionanditsgreatsignificance.
C
Tobuildaprosperous(繁榮的)society,afundamentalunderstandingofthemoderneconomy
asadrivingforceintoday'sworldisessential.
Whatkindofprosperityhaveweachievedsoftir?Thewidespreaddefinitionofprosperity
focusesoneconomicpowerandgrowthasmeasuresofsuccess.Let'stakealookathistory.The
SecondIndustrialRevolutionenabledmassproductionandcreatedasufficientsupplyofgoods.
Thishasgreatlyincreasedtheimportanceofmoneyinitsroleas“astoreofvalue,"and"a
mediumofexchange.**Asaresult,wehavepursuedeconomicpowerastheonlyindicatorof
prosperity,suchasGDP.Wavesofglobalizationandtechnologicalevolutionhavepromoted
overalleconomicgrowth,buthaveallowedthefewwhoarestrongtoachievegreaterpowerwhile
exploitingthemanywhoareweak.Consequently,inequalityhasworsened,anddisunityhas
intensified.
Thepathtoatnilyprosperousworldrequiresashiftinfocustowardsthemostsuitable
happinessfbrall,inadditiontoeconomicpower.Defininghappiness,however,isaplextask.
Whatmakespeoplehappy?Thedegreetowhichthesamethingcreateshappinessdiffersfrom
persontoperson.Happinessissubjectiveandplicated.Thisisaworldof“multiplevalues“where
eachofusdeterminesworthasopposedto“onefixedprice”basedmerelyonaneconomic
perspective.Individualsshouldn'tbedefinedbyasingleidentityorrolebutbymultidimensional
natureaswellasmultiplerolesmakingindependentchoicesandtakingactionsfbrtheirhappiness
indifferentaspects.
Businessesmustbepioneersinpursuingnotonlyeconcmicgrowthbutalsothehappinessof
allcitizensofsociety,panicscanconlribulclliroughthepursuilofsocialvalueaswellas
economicprofit.Attheheartofthislies“purpose”.Apany'spurposedefinesthevalueitbringsto
society.Thetrueworthofapanyshouldbedeterminednotjustbythereturnsitcreatesfbr
shareholdersbutbythevalueitcreatesfbrsocietyasawhole.
8.Whatistheauthor'sattitudetothewidelyacceptedstandardofprosperity?
A.Indifferent.B.Critical.C.Uncertain.D.
Approving.
9.Whatisthesideeffectoftechnologicalevolution?
A.Theslowereconomicgrowthspeed.
B.Thesharpreductionofjobopportunities.
C.Theenlargedgapbetweentherichandthepoor.
D.Theincreasingconflictbetweendifferentnations.
10.Whichstatementwillth?authoragreewithaccordingtothepassage?
AHappinessischangeableandbeyondcontrol.
B.Happinesslargelydependsoneconomicpower.
C.Thepursuitofprofitdeterminesapany'strueworth.
D.Aprosperousworldshouldbemeasuredbymultiplevalues.
11.Whoarcthemainintendedreadersofthetext?
A.Socialpsychologists.B.Enterpriseadministrators.
C.Schooleducators.D.Technologicalresearchers.
D
ArecentsuneyintheUSfoundthatGenZersandMillennials(千禧——代)visitlibraries
moreoftenthantheirparentsorgrandparents.Theyounglovelibrariesbecausetheyaresecure,
fbrtablc,freeand—asmyIlycaroldwouldsay—“aesthetic”.Thismeanstheylookgoodinthe
backgroundofanInstagrampostorTikTokvideo.It'$alsoagreatplacetomeetpeople.Ifyoa,rc
bothyoungandinalibrary,chancesareyouhavesimilarinterests.
Andthen,too,therearethebooks.GenZersareturningouttobebigreaders,especiallyof
paperbooks.Eventhough,orperhapsbecause,theyhaveintheirpocketsthemostlimitlessly
distractingdeviceseverinvented,manyaredeliberatelychoosingtopickupapieceof
15thccnturytechnologyinstead.Theylikethefactthatbooksarcselfcontainedandrequire
uonuunlration.
Thereis,sometimes,asenseofnostalgic(懷I口的)cosplayinthewayyoungpeopleread.In
NewYork,fbrexample,thelatestTikTokfuelledcrazeisreadingwithstrangersinbars.Youhave
tobuyaticketinadvance,andthenyouallgatherandsitinsilencefor30minutes,reading
whateverbookyou'vebroughtalong.Likeanexpensiveversionofgoingtothelibrary,except
thatafterwardsyouallhaveadrinkandtalkaboutbooks.
Theverythoughtofitmakesmesuiter,butthat'sbecauseI'machildofthe1970sand80s.
Tome,readingisaprivatepleasure,whilescreens—TVorcinema—aresocial.Ididonce,ina
fitofambitiousparenting,introduceaufamilyreadinghour",duringwhichmyhusbandand
childrenwerepressedtojoinmeatthefiresideforsomesilentreading.Itcouldnothavefeltmore
performativeifwehaddressedupintophatsandcrinolines(舊時的襯裙).Butstill,Iapplaud
theseyoungreaders—forknowingwhatisgoodfbrthem,forseekingouthumanconnection,fbr
findingthebeautyandpleasureinoldinstitutions,andfbrbringingnewlifetothelibrary.
12.Whichofthefollowingisareasonwhytheyounglovelibraries?
A.Theyenjoythesenseofsafetyandfreedom.
B.Theyarcfreetousesocialmediainlibraries.
C.Theyconsidercrcadingawaytodiscoverbeauty.
D.Theyexpecttomeetpeoplewithdifferentinterests.
13.WhatdoweknowaboutthelatestTikTokfuelledcrazeinNewYork?
A.It'satrendofreadingwiththefamilyinbars.
B.It'salearningapproachadvocatingsilentreading.
C.It'sagatheringattendedbystrangersfreeofcharge.
D.It'sareadingfashionintegratingtheoldandthenew.
14.Whatcanbelearnedabouttheauthor'sunderstandingofreadingfromparagraph4?
A.Itisadelightfulsocialexperience.B.Itisawayofpersonalenjoyment.
C.Itisasignificantparentingpattern.D.Itisapainfulroutinepractice.
15.Whichofthefollowingisthebesttitlefbrthetext?
A.AGenZWaytoRefreshLibraries
B.ARealisticLookofLibraryReading
C.ABroadViewofLibrariesandSocialMedia
D.ANewWayloSueHumanConncclionwithLibraries
2024屆浙江省杭州市高三下學期二模英語試題
第一節(共15小題;每小題2.5分,滿分37.5分)
閱讀下列短文,從每題所給的A、B、C、D四個選項中選出最佳選項。
A
FineArtsStudentsDeliverMagicalPerformances
Asthewinterholidaysapproach,BrookhavenSchoolstudentspresentedanarrayof
extraordinaryperformancesshowcasingimmensetalentwithinourfineartsmunity.Fromthe
bandconcerttothechoralconcerts,eacheventhighlightedthededicationandexceptionalgiftsof
ourstudents.
TheDecember12EaglesBandConcertfilledWoodrufl'Auditoriumwithmelodiesthat
capturedthefestivespirit.OnDecember14,theFoundationsChristmasChoralConcertfeatured
spiritedperformancesbyour7thgraders.Thefinaleofseasonalfineartsshowcasesoccurredon
December18inBradyTheaterwiththeSeniorChiorConcert,spotlightinghighschoolsingers.
Ahighlyanticipatedtradition,theschoolwideHolidayAssemblyonDecember19,hosted
byesteemedFineArtsDepartmentChairMr.Kamincr,embodiedthetnieessenceoftheholiday
season.AngelicsongsfilledYoungGym,followedbyjoyouslaughterandcheersasthe”best
costume“winnersreceivedtheirawards.EventheyoungestWarEagles,thechildreninthe
BrookhavenEarlyLearningCenter,attendedthecelebrations.Followingtheevent,students
merrilyleftschoolfbrtheholidaybreak.
Lookingtoward2024,anticipationbuildsfbrtheBrookhaventheaterspringproductions.
“SomethingRotten!”promiseshighenergyedicperformancesbytheaterstudents,whileuTuck
Everlasting“assuresamovingportrayalbytalentedFoundationsstudents.Furthermore,the
BrookhavenDancepanywillholdtheirshowcaseApril1112inWoodruffAuditorium.Ticketswill
soonbeavailablefbrpurchase
21.WhatdidthestudentsatBrookhavenSchooldobeforethewinterholidays?
A.Theyperformedmagictricks.B.Theyparticipatedinmunityservice.
C.Theygaveholidayconcerts.D.Theypresentednewtheatreproductions.
22.WhatcanwelearnaboutHolidayAssemblyonDecember19?
A.Itwasalargeuulcbralionwilhinihuschool.
B.Itwasanawardpresentationfbrbeststudents.
C.Itfeaturedvariousfunmusicandsportsevents.
D.Itwasheldonthefirstdayofthewinterholiday.
23.Whatisthetext?
A.Afineartsbrochure.B.Aschoolannouncement.
C.Aschoolnewsletter.D.Aconcertadvertisement.
B
Educationin2080isdistinctivefromeducationinthe2020s.Untilabout2035,themain
fimctionofeducationsystemswastosupplytheeconomywiththenextgenerationofworkers.In
2080,thepurposeofeducationisthewellbeingofsocietyandallitsmembers.Tomakethisabit
moretangibleforyou,Iwouldliketogiveanexampleofwhatachild'seducationlookslikein
2080.HernameisShemsy.Shemsyis13,andsheisconfidentandloveslearning.
Shemsydoesnotgotoschoolinthemorningbecauseschoolsasyouknowthemnolonger
exist.Theinstitutionwasabolishedasitwaswidelythoughtofasmorelikeaprisonorafactory
thanacreativelearningenvironment.Schoolshavebeenreplacedwith“LearningHubs“thatare
notrestrictedtocertainages.Theyarewhereintergeneraticnallearninghappens,inlinewiththe
beliefthatlearningisalifelongpursuit.
Everyyear,Shemsydesignsherlearningjourneytortheyearwithahighlyattentive
44teachercitizenShemsyisactivelyengagedindesigninghereducationandhastopropose
projectsshewouldliketobeinvolvedintocontributetoandservehermunity.Shealsospends
lotsoftimeplayingastheroleofplayinlearninghasfinallybeenrecognizedasessentialandcore
toourhumanity.Shemsyworksalotcollaborative
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