英國文學史資料BritishWritersandWorksI.OldEnglishLiterature&TheLateMedievalAges<Beowulf>貝奧武夫:thenationalepicoftheAnglo-SaxonsEpic:longnarrativepoemsthatrecordtheadventuresorheroicdeedsofaheroenactedinvastIandscapes.Thestyleofepicisgrandandelevated.e.g.Homer?sIliadandOdysseyArtisticfeatures:UsingalliterationDefinitionofalliteration:arhetoricaldevice,meaningsomewordsinasentencebeginwiththesameconsonantsound頭韻）SomeexamplesonP5UsingmetaphorandunderstatementDefinitionofunderstatement:expressingsomethinginacontrolledwayUnderstatementisatypicalwayforEnglishmentoexpresstheirideasGeofferyChaucer杰弗里？喬叟1340（?）~1400（首創(chuàng)雙韻體”，英國文學史上首先用倫敦方言寫作。約翰德萊頓（JohnDryden）稱其為英國詩歌之父”。代表作《坎特伯雷故事集》。）ThefatherofEnglishpoetry.writingstyle:wisdom,humor,humanity.<TheCanterburyTales坎特伯雷故事集：firsttimetouse,heroiccouplet?雙韻體）bymiddleEnglishvTroilusandCriseyde>t^羅伊拉斯和克萊希德<TheHouseofFame：聲譽之宮MedievalAgespopularLiteraryform:Romanee傳奇故事）FamousthreeKingArthurSirGawainandtheGreenKnightBeowulfTheRenaissancePeriodAperiodofdramaandpoetry.TheElizabethandramaistherealmainstreamoftheEnglishRenaissanee.Renaissaneetheactivity,spirit,ortimeofthegreatrevivalofart,literature,andlearninginEuropebeginninginthe14thcenturyandextendingtothe17thcentury,markingthetransitionfromthemedievaltothemodernworld.ThreehistoricaleventsoftheRenaissanc-rebirthorrevival:newdiscoveriesingeographyandastrologythereligiousreformationandeconomicexpansionrediscoveryofancientRomanandGreekcultureThemostfamousdramatists:ChristopherMarloweWilliamShakespeareBenJohnson.EdmundSpenser埃德蒙？斯賓塞1552~1599（后人稱之為詩人的詩人”。）ThepoetS?poet.ThefirsttobeburiedinthePoet?scornerofWesterminsterAbbey＜The_Faerie_Queene仙后（forQueenElizabeth）ThethemeisnotArmsandtheman”，butsomethingmoreromanticFiercewarsandfaithfullloves”.Artisticfeatures:UsingSpenserianStanzaDefinitionofSpenserianStanza:astanzaofninelinesababbcbcc.Eightlinesiniambicpentameter,andlastlineiniambichexameter.＜TheShepherdsCalendar牧人日歷ThethemeistolamentoverthelossofRosalind.＜Amoretti＞愛情小唱ThomasMore托馬斯？莫爾1478~1535OneofthegreatestEnglishhumanists＜Utopia＞烏托邦FrancisBacon弗蘭西斯？培根1561~1626（哲學家、散文家；在論述探究知識的著作中提出了知識就是力量這一著名論斷；近代唯物主義哲學的奠基人和近代實驗科學的先驅(qū)。）Philosopher,scientist,laythefoundationformodernscienee.ThefirstEnglishessayist.Writingstyle:brevity,compactness&powerfulness,well-arrangingandenrichingbyBiblicalallusions,metaphorsandphilosophytomansreason.vTheAdvancementofLearning＞學術(shù)的推進＜Essays＞隨筆（famousquotas:_＜Of_studies＞）ThethemeofOfStudiesusesandbenefitsofstudyanddifferentwaysadoptedbydifferentpeopletopursuestudies.BenJonsonvComedyofHumours〉vVolpone,orthefox＞狐貍ChristopherMarlowe柯里斯托弗？馬洛1564~1595UniversityWits”，thepioneerofEnglishdrama（完善了無韻體詩。）Blankverse:writteninunrhymediambicpentameter.vTheTragicalHistoryofDoctorFaustus＞浮士德博士的悲劇（根據(jù)德國民間故事書寫成）vTamburlaine＞帖木耳大帝vTheJewofMalta〉馬耳他的猶太人WilliamShakespeare威廉？莎士比亞1564~1616Historicalplays:HenryV;HenryIV:Richard山;HenryV；RichardII；HenryVIIIFourComedies:＜AsYouLikelt＞皆大歡喜；vTwelfthNight〉第十二夜；＜AMidsummerNight?SDream＞仲夏夜之夢；vMerchantOfVenice＞威尼斯商人FourTragedies:＜Hamlet＞哈姆萊特；＜Othello＞奧賽羅；＜KingLear＞李爾王；＜Macbeth＞麥克白ShakespeareSonnet154＜TheSonnets＞Threequatrainandonecouplet,ababcdcdefefggAsonnetisalyricconsistingof14lines,usuallyiniambicpentameterrestrictedtoadefinitionrhymescheme.The17thCenturyJohnMilton約翰？彌爾頓1608~1674（詩人、政論家；失明后寫《失樂園》、《復樂園》、《力士參孫》。）Epics:vParadiseLost次樂園vParadiseRegained^樂園Dramaticpoem:＜SamsonAgonistes力士參孫＜Areopagitica＞論出版自由＜TheDefenceoftheEnglishPeople為英國人民聲辯＜OnHisBlindness＞我的失明Thissonnetiswritteniniambicpentameterrhymedinabbaabbacdecde,typicalofItaliansonnet.ItsthemeisthatpeopleusetheirtalentforGod,andtheyservehimbestshocanendurethesufferingbest.JohnBunyan約翰？班揚1628~1688（代表作《天路歷程》，宗教寓言，被譽為具有永恒意義的百科全書”，是英國文學史上里程碑式著作。與但丁的《神曲》、奧古斯丁的《懺悔錄》并列為世界三大宗教題材文學杰作。）Puritanpoet（清教徒派詩人）ReligionaryAllegory:vThePilgrim?sProgres＞天路歷程JohnDonnetheMetaphysicalpoet玄學派詩人）.MetaphysicalPoetry（玄學詩）：（用語）thedictionissimple,theimageryisfromtheactual,（形式）theformisfrequentlyanargumentwiththepoet'sbeloved,withgod,orwithhimself.（主題:love,religious,thought）Artisticfeatures:conceitsorimagery奇思妙喻syllogism三段論Meditations沉（思錄TheFlea虱子SongsAndSonnetsHoly_SonnetsValediction:＜Forbidding_Mourning＞The18thCenturyArevivalofinterestintheoldclassicalworks,order,logic,restrainedemotion（抑制情感）andaccuracyTheAgeofEnlightenment/Reason:themovementwasafurtheraneeoftheRenaissaneeofthe15thand16thcentries,aprogressiveintellectualmovement,reason（rationality）,equality&science（thel8hcentury）小說崛起:Inthemid-century,thenewlyliteraryform,modernEnglishnovelrised（realisticnovel現(xiàn)實主義小說）Gothicnovel（哥特式小說）:mystery,horror,castles（frommiddleparttotheendofcentury）AlexanderPope亞歷山大？蒲柏1688~仃44（18世紀英國最偉大的詩人，其詩多用 英雄雙韻體”’heroiccouplets'0詞句工整、精練、富有哲理性。）OneofthefirsttointroducerationalismtoEngland.vAnEssayonCriticism〉批評論Artisticfeatures:I.Usingheroiccouplets'vTheRapeoftheLock〉卷發(fā)遇劫記vMoralEssays〉道德論vEssayonMan〉人論<TheDunciad>愚人記SamuelJohnson塞繆爾？約翰遜仃09T784Dictionary=<ADictionaryofEnglishLanguage〉英語大詞典JonathanSwift喬納森？斯威夫特1667~1745（十八世紀杰出的政論家和諷刺小說家 amastersatirist）<Gulliver?sTraveQ格列佛游記（fictionalwork）Fourparts:Lilliput小人國 Brobdingnag大人國FlyingIsland飛島 Houyhnhnm馬島<AModestProposal〉一個小小的建議vTheBattleofBooks〉書戰(zhàn)<ATaleofaTub〉木桶的故事<TheDrapper?sLetter〉一個麻布商的書信DanielDefoe丹尼爾？笛福1660~1731（小說家，新聞記者，小冊子作者；十八世紀英國現(xiàn)實主義小說的奠基人。）Heisthefirstwriterstudyofthelower-classpeople,hislanguageissmooth,easy,colloquialandmostlyvernacular,andheisthefounderofrealisticnovel.vRobinsonCrusoe〉魯賓遜漂流記ItpraisethefortitudeofthehumanlaborandthePuritan.Robinsongrewfromanaiveandartlessyouthintoashrewdandhardenedman‘temperedbynumeroustrialsinhiseventfullife.Itisanadventurestory,Robinson,narrateshowhegoestosea,getsshipwreckedandmaroonedonaIonelyisland,strugglestolivefor24-yearsthereandfinallygetsrelievedandreturnstoEngland.vMollFlanders>vColonelJacque><Captainsingleton>HenryFielding亨利？菲爾丁仃07~1754（英國小說家，戲劇家，被譽為 英國小說之父”。）Heiscalled“FatherofEnglishnovel”.Hewasthefirsttowritea“Comicepicinprose”（散文體史詩）,andthefirsttogivethemodernnovelitsstructureandstyle.novels:<TheHistoryofTomJones,aFoundling壽嬰湯姆？瓊斯<TheHistoryoftheAdventuresofJosephAndrews約瑟夫？安德魯<TheLifeofMrJonathanWild,theGreat〉大詩人江奈生？威爾德<Amelia>愛米禾U亞plays:<TheHistoricalRegisterfor1736>—七三六年歷史記事<DonQuixoteinEngland>堂吉柯德在英國OliverGoldsmith奧利弗？格爾德斯密斯仃30~1774poems:<TheTraveller〉旅游人<TheDesertedVillage〉荒村novel:<TheVicarofWakefield〉威克菲爾德牧師傳RichardBrinsleySheridan理查德？布林斯利？施萊登仃51T816vTheRivals〉情敵vTheSchoolforScandal>造謠學校&WilliamBlake威廉？布萊克仃57~1827vSongsofInnocence>天真之歌Ahappyandinnocentworldfromchildren@eye.vSongsofExperience>經(jīng)驗之歌Awordofmisery,poverty,disease,warandrepressionwithamelancholytonefrommeneyes.Include:<TheChimneySweeper〉vLondon〉vTheTyger〉LambisasymbolofpeaceandpurityTygerisasymbolofdreadandoiolenee<TheMarriageofHeavenandHell〉天堂與地獄的婚姻9.RobertBurns羅伯特？彭斯仃59~1796ThegreatestScottishpoetinthelate18century.PoemsChieflyintheScottishDialect主要用蘇格蘭方言寫的詩_<JohnAnderson，一My_Jo：約翰？安德生，我的愛人—_vA_Red,_Red_Rose一朵紅紅的玫瑰_<AuldLong Syne^昔時光<AMan?saManforA?Tha>不管那一套<MyHeart?sintheHighlands>我的心在那高原上<BruceAtBannockburn><TheTreeOfLiberty〉TheRomanticPeriodTheromanticperiodbeganin1798thepublicationofWordsworthandColeridge'svLyricalBallads〉,andendin1832withSirWalterScott'sdeath.Romanticism:ltemphasizethespecialqualitieofeachindividual?mind.(人應該是獨立自由的個體)Init,emotionoverreason,spontaneousemotion,achangefromtheouterworldofsocialcivilizationtotheinnerworldofthehumanspirit,poetryshouldbefreefromallrules,imagination,nature,commonplace.TwomajornovelistsoftheRomanticperiodareJaneAusten(realistic)andWalterScott(romantic).TheLakePoets湖畔詩人，wholivedinthelakedistrict.WilliamWordsworth;SamuelTaylorColeridge;RobertSoutheyWilliamWordsworth威廉？華茲華斯仃70~1850(與柯爾律治、騷塞同被稱為 湖畔派”詩人。TheLakePoets<LyricalBallads〉抒情歌謠集(withSamuelTaylorColeridge)―<l_Wondered_Lonely_As_A_Cloud>_Theme:1.Natureembodieshumanbeingsintheirdiversecircumstanee.Itisnaturethatgivehim“trengthandknowledgefullofpeace”2.ltisblisstorecolledthebeautyofnatureinpoetmindwhileheisinsolitude.Comment:Thepoetisverycheerfulwithrecallingthebeautifulsights.Inthepoemonthebeautyofnature,thereaderispresentedavividpictureoflivelyandlovelydaffodils(水仙)andpoetsphilosophicalideasandmysticalthoughts.LinesComposedAFewMilesAboveTinternAbbeyTheSolitaryReaper孤獨的害U麥女<ThePrelude〉序曲SamuelTaylorColeridge塞繆爾？泰勒科爾律治1772~1834TheLakePoets<TheRimeoftheAncientMariner〉古舟子頌_vChristabel〉柯里斯塔貝爾—<Kubla_Khan>忽必烈汗Artisticfeatures:mysticism,demonismwithstrongimagination,astrangeterritory<FrostatNight>半夜冰霜<Dejection,anOde>憂郁頌<LyricalBallads>抒情歌謠集(withWilliamWordsworth)GeorgeGordonByron喬治？戈登？拜倫仃88T824(拜倫式英雄Byronicheroes孤傲、狂熱、浪漫，卻充滿了反抗精神。內(nèi)心充滿了孤獨與苦悶，卻又蔑視群小。恰爾德哈羅德是拜倫詩歌中第一個拜倫式英雄”。)Byronichero”isaproud,mysteriousrebelfigureofnobleorigin,againsttyrannicalrulesormoralprinciples.<DonJuan>唐?璜vChildeHarold?sPilgrimage，恰爾德？合羅德爾游記<Cain>該隱<WhenWeTwoParted當初我們倆分另S<SheWalksInBeauty〉PersyByssheShelle波西？比希?雪萊仃92~1822PoeticDrama：vPrometheusUnbound〉解放了的普羅米修斯Theme:thedramacelebraiesman處victoryovertyrannyandoppressionvQueenMab>麥布女王vRevoltofIslam〉伊斯蘭的反叛<TheCenci〉欽契一家<ADefenceofPoetry〉詩辯<TheNecessityofAtheism〉無神論的必要性―Lyrics:_<OdetotheWestWind〉西風頌Theme:Theauthorexpresshiseagernesstoenjoytheboundlessfreedomfromthereality.Comparethewestwindtodestroyeroftheoldwhodrivesthelastsignsoflifefromthetrees,andpreserverofthenewwhoscattertheseadsshichsillcometolifeinthespring.Thisisapoemaboutrenewal,aboutthewindblowinglifebackintodeadthings,implyingnotjustanarcoflife(whichwouldendatdeath)butacycle,whichonlystartsagainwhensomethingdies.Comment：PercyByssheShelley's"OdetotheWestWind"iswritteniniambicpentameter.Itcontainsfivesonnetlengthstanzas,eachwithaclosingcouplet.Therhymingschemeformisababcbcdcdedee.Thetoneispoignant.Manywillagreethatthispoemisaninvocationforanunseenforcetotakecontrolandrevivelife.Artisticfeatures:Usingrerzarima三行詩ababcbcdcdedefe…）<ToaSkylark〉致云雀JohnKeats約翰鮎慈仃95T821（美即是真，真即是美”是他的著名詩句。）Fourgreatodes:<OdeonaGrecianUrn希臘古甕頌<OdetoaNightingale〉夜鶯頌<OdetoPsyche〉心靈頌<OdeOnMelancholy>憂有E頌―<ToAutumn>秋頌Theme:ThethemeofJohnKeats'poem,"ToAutumn",isthatchangeisbothnaturalandbeautiful.Thepoempraisesthegloriesofthefallseasonbyusingalmosteverytypeofimagerytobothcharmandappealtothereader.Comment:Thespeakerinthepoemacknowledgesthattimepassesby,butalsoassertsthatthischangeusuallyyieldssomethingnewandbetterthanwhatcamebefore.Eachofthepoem'sthreestanzasrepresentstheevoIvingoftwodifferenttypesofchange.Onetypeofchangeshowninthepoemisthechangeofperiodsinaday.JaneAusten簡？奧斯丁仃75T817Shecomparedherworkstoafineengravinguponaliterarypieceofivoryonlyinchessquire.vSenseandSensibility理智與感情<Pride_and_Prejudic>_傲慢與偏見（chapter」）【ElizabethBennet&Darcy]intheendfalseprideishumbledandprejudicedissolved【Collins&CharlotteLucas]seetherealityofmarriageasanecessarystepifawomanistoavoidthe wretchedness of agingspinsterhood【Lydia&Wickham]shownthedangersoffecklessrelationshipsunsupportedbymoney.【Mr.&Mrs.Bennet,Mr.Collins,LadyCatherinedeBurgh]comiccharactersvMansfieldPark〉曼斯菲爾德莊園_<Emma>愛瑪vNorthangerAbbey〉諾桑覺寺vPersuasion〉勸導WalterScott沃爾特？斯科特1771~1832（歷史小說之父”）FatherofhistorynovelsvRobRoy>羅伯？羅伊vivanhoe> 艾凡赫TheVictorianPeriodCommonsenseandmoralpropreity,againbecamethepredominantpreoccupation.Criticalrealistswereallconcernedaboutthefateofthecommonpeopleandeverydayevents.CharlesDickens查爾斯？狄更斯1812~1870（批判現(xiàn)實主義小說家）criticalrealistwriter<ThePosthumousPapersofthePickwickClub匹克威克外傳<OliverTwist〉奧利弗？特維斯特（霧都孤兒）<TheOldCuriosityShop>老古玩店<AChristmasCarol〉圣誕頌歌<DombeyandSon〉董貝父子vDavidCopperfield〉大衛(wèi)？科波菲爾<BleakHouse〉荒涼山莊vHardTimes〉艱難時世<ATaleofTwoCities〉雙城記（London&Paris）<GreatExpectations〉遠大前程<OurMutualFriend〉我們共同的朋友WilliamMakepeaceThackeray威廉?麥克匹斯？薩克雷1811~1863①vVanityFair〉oraNovelwithoutaHero名禾U場（thenameisanexcerptfrom<ThePilgrim?Progress〉byJohnBunyan）②<TheBookOfSnobs〉CharlotteBronte夏洛蒂？勃朗特1816~1855<Jane_Eyre〉簡?愛JaneEyre,aplainlittleorphan,wassenttoLowood,acharityschool.Thereshesufferalotand8yearslatersheleftschoolandbecameabovernessatThornfieldHall.Thereshefallsinlovewiththemaster,Mr.Rochester.Itisnotedforitssharpcriticismoftheexistingsociety,e.g.charityinstitutionsuchasLowoodSchoolItisasuccessfulintroductiontothefirstgovernessheoineintheEnglishnovel,whomrepresentsthosemiddle-classworkingwomenstrugglingforrecognitionoftheirbasicrightsandequalityasahumanbeing.<Shirley〉雪莉<Professor〉教師EmilyBronte艾米莉？勃朗特1818~1854v_Wuthering_Heights〉呼嘯山莊Astoryabouttwofamilieandanintrudingstranger.【TheEarnshawFamily】Mr.Earnshaw,hiswife,thesonHindley,thedaughterCatherine,Heathcliff【TheLintonFamily】Mr.Linton,hiswife,sonEdgar,daughterIsabella<OldStoic〉GeorgeEliot喬治？艾略特18佃~1880<TheMillontheFloss>弗洛斯河上的磨坊<AdamBede>亞當？比德<SilasMarner〉織工馬南<Middlemarch〉米德爾馬契AlfredTennyson阿爾弗萊德？7尼生1809T892（維多利亞時代最具代表性的偉大詩人）PoetLaureate（桂冠詩人）<InMemoriam〉悼念Tomemorializehisfriend<Break,Break,Break〉?中擊、沖擊、沖擊<IdyllsoftheKing〉國王敘事詩RobertBrowning羅伯特？白朗寧1812~1889<MyLastDutchess〉我已故的公爵夫人<HomeThoughtsFromAbroad〉海外鄉(xiāng)思ElizabethBarrettBrowing:①vSonnetfromthePortuguese葡萄牙十四行詩RobertLouisStevenson①vTreasureIsland〉金銀島ThomasHardy托馬斯？合代1840~1928（小說多以農(nóng)村生活為背景；自然主義小說家。 Wessexnovels;novelsofcharacterandenvironmen）?Novels<_Tess_Of_TheD?Urbervilles〉德伯家的苔絲Themeexperienceisastointensity,andnotastoduration<JudeTheObscure無名的裘德<UnderTheGreenwoodTree綠蔭下<FarFromTheMaddingCrowd〉遠離塵囂<TheMayorOfCasterbridge〉卡斯特橋市長<TheReturnoftheNative還鄉(xiāng)PoemsWessexPoemsAndOtherVersesPoemsOfThePastAndPresentTheDynasts列國1900~佃50The20thCenturyPlaywrightsOscarWildeGeorgeBernardShawOscarWilde奧斯卡？王爾德1856~1900(TheAestheticMovement:ArtforArt'sSake)4Comedies:<TheImportaneeOfBeingEarnest^!真的重要vLadyWindermere?sFa>溫德米爾夫人的扇子<AWomanOfNoImportance>—個無足輕重的女人<AnIdealHusband>理想的丈夫Novel:<ThePictureOfDorianGray>多禾U安？格雷的畫像FairyStories:<TheHappyPrinceAndOtherTales快樂王子故事集GeorgeBernardShaw喬治？伯納？蕭1856T950(英國杰出的批判現(xiàn)實主義劇作家)criticalrealisticdramatist?PlaysPlaysUnpleasant<MrsWarren?SProessio門>華倫夫人的職業(yè)vWidowers?Houses>鰥夫的房產(chǎn)PlaysPleasant<ArmsAndMan>武器與人<TheManOfDestiny>左右命運的人Plays<ManAndSuperman>人與超人vPygmalion>匹格瑪禾U翁<TheAppleCart>蘋果車vSaintJoanF女貞德Novelists(Realists)JosephConcrad<LordJim>吉姆爺<Heart_Of_Darkness>M暗的心Whythebook^StitleisHeartofDarkness?ThestoryhappenedinCongo,theheartofAfrica,andthecolorofpeople?skininthereisblack.Mostimportantpointaboutthetitleistotheevilinhumans?heart.Whatisthesymbolismofblackandwhite【Black/dark-】death,evil,ignorance,mystery,savagery,uncivilizedMiddleAges,whenscieneeandknowledgewassuppressed,astheDarkAges.AccordingtoChristianity,inthebeginningoftimeallwasdarkandGodcreatedlight.AccordingtoHeartofDarkness,beforetheRomanscame,Englandwasdark.Inthesameway,Africawasconsideredtobeinthedarkstage.【W(wǎng)hite/light】life,goodness,enlightenment,civilized,religion.Yet,inConcrad,theusualpatternisreverseanddarknessmeanstruth(Thetruthwithin,thereforedarkandobscure.),whitenessmeansfalsehood.ThiscontrasttellsapoliticaltruthaboutcolonialismintheCongo.ThecontrastalsosuggestsapsychologicaltruthaboutMarlowandtheEuropeansmind.Whitealsosuggestsanynumberofunpleasantmoraltruths.Thetradeinivoryiswhiteanddirty.KurtzthewhitemanistotallycorruptCommentThebookimpliesthatcivilizationsarecreatedbythelawsandcodesthatencouragementoachievehigherstandards.Thelawactsasabuffertopreventmenfromrevertingbacktotheirdarkertendencies.Civilization,however,mustbelearned.Londonitself,inthebookasymbolofenlightenment,wasonce"oneofthedarkerplacesoftheearth"beforetheRomansforcedcivilizationupontheBritons.Butcivilizedsocietydoesnotgetridofprimevalsavagetendencieswhichlurkinthebackground.ThissavageryisseeninKurtz.MarlowmeetsKurtzandhefindsamanthathastotallythrownofftherestraintofcivilizationandhasde-evolvedintoaprimitivestate.Character【Kurtz】representswhateverymanwillbecomeiflefttohisownintrinsicdesireswithoutaprotective,civilizedenvironment.【Marlow】representsthecivilizedsoulthathasnotbeendrawnbackintosavagerybyadark,alienatingjungle.NarrativeStructureInHeartofDarkness,wehaveanoutsidenarratortellingusastoryhehasheardfromMarlow.ThestoryMarlowtellscentersaroundKurtz.However,mostofwhatMarlowknowsaboutKurtz,hehaslearnedfromothers.TheyhavegoodreasonfornotbeingtruthfultoMarlow.ThereforeMarlowhastopiecetogethermuchofKurtz?sstory.WilliamSomersetMaugham<OfHumanBondage^性的枷鎖EdwardMorganFoster(E.M.Foster)<APassageToIndia印卩度之行vHawardsEnd>霍華茲別墅Modernists?3NovelistsJamesJoyceDavidHerbertLawreneeVirgirniaWoolf1.DavidHerbertLawrence戴維？赫伯特？勞倫斯1885T930<SonsAndLovers>JL子與情人(autobiographical)【Mrs.Morel】,daughterofamiddle-classfamily,is"awomanofcharacterandrefinement",astrong-willed,in