話題30人與環境Ⅰ.閱讀理解GuidedToursintheBritishMuseumAroundtheworldin70minutestourExploresomeofthemostfamousobjectsondisplayattheMuseum.SeethedetailsofthecharacterfulLewisChessmen，surpriseyourselfattheancienttextsontheworld－famousRosettaStoneandgetclosertomorehighlightsfromthecollection.Time：11：30－12：40，13Feb.2022－29May2022Price：￡14(Adultsandchildrenaged12＋)LifeanddeathinancientEgyptDiscoverhowpeoplelivedanddiedinancientEgypt，andexploretheirhopesfortheafterlife.Fromstatuesandmodelsofdailylifetowallpaintings，investigatewhattombsandburialgoodstellusaboutthelivesofancientEgyptians.Time：09：00－10：00，13Feb.2022－18Dec.2022Price：￡33；￡30(students，disabledvisitors)；￡16.50(Ages5－15years)；Freeforunder5sAnintroductiontoChinaGainaninsightintothedevelopmentofChinesehistoryandculturefrom5000BCtothepresentday.AppreciatetheexhibitsfeaturingtheTangDynastytombfiguresandtheMingDynastyblue－and－whiteporcelain.Time：09：00－10：00，19Feb.2022－17Dec.2022Price：￡33；￡30(students，disabledvisitors)；￡16.50(Ages5－15years)；Freeforunder5sAnintroductiontoancientGreeceStartfromtheriseoftheGreekcitystatestotheempireofAlexandertheGreat.Enjoysomeofthehighlightsofthecollection，includingsculpturesfromtheParthenonandtheMausoleumofHalikamassos，regardedasoneoftheSevenWondersoftheAncientWorld.Time：09：00－10：00，24Feb.2022－26June2022Price：￡33；￡30(students，disabledvisitors)；￡16.50(Ages5－15years)；Freeforunder5s1.WhencanyouseetheRosettaStone?A.At9：30，15Feb. B.At11：30，26May.C.At12：00，6June. D.At12：30，17Dec.2.WhatcanpeopledointhetourofLifeanddeathinancientEgypt?A.Exploreancienttombsandburialgoods.B.Witnessthedevelopmentofthecountry.C.Visitmostfamousgalleriesofthecountry.D.AppreciatesculpturesfromtheParthenon.3.Howmuchshouldacouplewithachildaged6payforAnintroductiontoChina?A.￡33. B.￡49.5.C.￡66. D.￡82.5.Withthedevelopmentofapps，socialmediahasseeminglyrevolutionizedthewaywetravel.Now，youngpeopleprimarytravelinspirationcomesfromsocialmedia.Insteadofchoosingtheirdestinationfromaselectioninacatalogueattravelagentlikebefore，theyscroll(滾動)throughonlinepostsinsearchofthatideallocation.Whenitcomestoplanningtheperfectholiday，socialmediahasbecomeahugefactorformanyyoungpeopletoday.Everybodywantstoreturnhomewithanalbumfullofartisticand“instagramable”photosthatshowofftheirtrips.Thebestwaytofindthatdesired“post－able”holidaydestinationisnowthroughsocialmediaitself.Whetheritisviewingafriend’srecenttravelpost，oraphotodirectlyfromatravelaccount，socialmediainspiresthedesiretoexplorenewplacesforsomanyofitsusers.Travelcompaniesnowalsousesocialmediaaspartoftheirownmarketingstrategies.Themajorityofairlines，tourcompanies，hotelsandothertravel－relatedbusinesseshavetheirownInstagram，FacebookandTwitterpagestoincreasebrandawareness.Oneoftheleadingmarketingstrategiesistheuseofthesocialinfluences.Researchshowsthat70%ofteenstrustinfluencesmorethantraditionalcelebrities—in2018，1.6billionwerefunnelledintosponsoredinfluencedpostsonInstagramalone；and63%of18－24－year－oldInstagramusersfollowtravelinfluencedaccount.However，aswithmanyaspectsofsocialmedia，therewereobviousdisadvantagestothistravelrevolution.Itcouldbearguedthattheobsessionwithdocumentingandsharingyourtraveladventuresonlinedistractsfrombeingpresentandtrulyenjoyingtheexperience.Ourmotivestotravelseemtohaveshiftedawayfromastrongdesiretotravelandhavebecomemoreegocentric(自我為中心的)，travellingnowforthesakeoflikesandfollows.Thisdrawsawayfromsomeofthemostimportantelementsoftravel.Ingeneral，socialmediahasrevolutionizedthewaywetravel，providingtonnesofinspirationandnewopportunities.Weshouldbegratefulfortheglobalawarenessithasgivenus，andtheinsightintonewplacesanddifferentmeansoftravel.Atthesametime，itisequallyimportantnottoallowthepostsweseetoaffectourself－imageorreflectonourownexperiencesanydifferently.4.Howdidpeoplegettheirprimarytravelinspirationinthepast?A.Byappreciatingphotosfromatravelaccount.B.Byviewingfriends’recenttravelpost.C.Byconsultingatravelagent.D.Byscrollingthroughonlineposts.5.Whichofthefollowingisrightaccordingtothetext?A.UsingInternetcelebritiesisaveryeffectivemarketingstrategy.B.Mostteenagerstrusttraditionalcelebritiesmorethansocialinfluences.C.Theobsessionwithsharingtravelexperienceshelpstoenhancethetravelexperience.D.Thetravelinspirationofyoungpeoplemainlycomesfromthetourismadvertisements.6.Whatistheauthor’sattitudetothetravelrevolution?A.Skeptical. B.Objective.C.Worried. D.Disapproving.7.Whichofthefollowingisasuitabletitleforthetext?A.Waystoenhancethetravelexperiences.B.Elementsofmoderntravel.C.Inspirationandopportunitiesfromsocialmedia.D.Theimpactofsocialmediaontravel.“IthasnothingincommonwithanythingelseontheBund(外灘)，”saidBenWood，theAmericanarchitectbehindShanghai’sfamousXintiandiDistrict，commentingontheFosunFoundationafteritscompletionin2016.“ThegreatthingabouttheBundisthatit’sgrand.Perhapsabuildingthatcanstandoutisneededheretoshowthatacompanyisprogressive.Butit’snotgrand.”Fornow，however，theFosunFoundation—anewtheatre—isprovingpopularwithriversidetourists.LocatedintheBundFinanceCentre，thetheatrewasdesignedbycooperationoftwoworld－knownBritishdesignfirms：Foster＋PartnersandHeatherwickStudio.Thearchitecturalhighlightistheoutwardappearance—agolden，three－layered(層)，steelbamboocurtainthathangsfromthethirdfloor.Butwhatmakesthearchitecturereallyuniqueisthatit“dances”：repeatedlyeachday，thecurtainslowlymoves—opensandcloses—withmusic.Thisvisualelement，combiningEastandWest，lookslikebothanancientChinesecrownandaWesternharp(豎琴).Thebuilding’sgroundfloorentrancelooksunclear，butonceinside，you’llseethespacerevealahallandcafé，andtraditionalChinesetheatresontheupperfloors.Althoughthere’reonlyfourstoriesaboveground，thebuildinghousesseveralmusichallsonitsthreeundergroundfloors.“Theopportunitytomakesomethingnewinthisculturallyhistoriclocationwasextraordinary，”saidThomasHeatherwick，HeatherwickStudiofounder.“WetriedtomakeitaninterestingadditiontoshowShanghai’smixofmodernandhistoricarchitecture.”TheFosunFoundationisonlypartofabiggerplanforthiseconomicandculturalcentreinChina.AlongtheHuangpuRiver，amassivewaterfrontartareaisbeingbuilt.Shanghaihopestoplayalargerroleintheglobalartindustryinthecomingyears.WhatShanghaimakesofthisnewriversideprojectremainstobeseen.ButwiththeFosunFoundationopentothepublic，thearea’srapidtransformationisbringingupdiscussionsinChina’sartssceneandbeyond.8.WhatdidBenWoodmainlytalkabout?A.HowtokeeptheBundareaprogressive.B.WhytheBundareadoesn’tstandout.C.HowtomaketheFosunFoundationgrand.D.WhytheFosunFoundationdoesn’tfitthearea.9.Whatmakesthetheatreunusual?A.Thecolourofitsappearance.B.Thematerialofthebuilding.C.Themovementofitscurtain.D.Themusicofadifferenttype.10.WhatisShanghai’sbiggerplanfortheBundarea?A.Toimproveitsinfluenceinarts.B.Tobringupmoretraditionalbuildings.C.Tostrengthenitseconomicrole.D.Tomixmodernandhistoricelements.11.Whichwordbestdescribestheauthor’sattitudetotheplan?A.Worried. B.Pessimistic.C.Cautious. D.Confident.Ⅱ.七選五(2024·山西太原一模)Museumsbecomethenextstopmanystudentswanttovisitattheirleisure.__1__.However，theexperienceofvisitingamuseumcouldbequitedisappointingifnotdoneright,evenfortheexperiencedmuseumgoers.__2____.Nomatterhowmuchyou’reenjoyingyourself,manymuseumscantakehours,days,orevenweekstofullyexplore.Ifyoutrytoputitallin,youwillgetwornouttothepointthatyouwon’treallybeseeinganything.Pickafewpaintingsandexploretheminadetailedway,andyourmuseumexperiencewillbemorerelaxing.Haveyoueverstartedyourvisitbywaitinginlineinfrontofthemuseumforafewhoursjusttogetin?Andthat’sthesadrealitywhenvisitingmanyofthoseworld－famousmuseums.Thus,besmarttobrowsetheinstructionsforvisitingandbookinadvanceonline.__3__.Whatifyoudon’tlikesome