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話題30人與環境
Ⅰ.閱讀理解
GuidedToursintheBritishMuseum
Aroundtheworldin70minutestour
ExploresomeofthemostfamousobjectsondisplayattheMuseum.Seethedetailsof
thecharacterfulLewisChessmen,surpriseyourselfattheancienttextsontheworld-
famousRosettaStoneandgetclosertomorehighlightsfromthecollection.
Time:11:30-12:40,13Feb.2022-29May2022
Price:£14(Adultsandchildrenaged12+)
LifeanddeathinancientEgypt
DiscoverhowpeoplelivedanddiedinancientEgypt,andexploretheirhopesforthe
afterlife.Fromstatuesandmodelsofdailylifetowallpaintings,investigatewhattombs
andburialgoodstellusaboutthelivesofancientEgyptians.
Time:09:00-10:00,13Feb.2022-18Dec.2022
Price:£33;£30(students,disabledvisitors);£16.50(Ages5-15years);Freefor
under5s
AnintroductiontoChina
GainaninsightintothedevelopmentofChinesehistoryandculturefrom5000BCto
thepresentday.AppreciatetheexhibitsfeaturingtheTangDynastytombfiguresand
theMingDynastyblue-and-whiteporcelain.
Time:09:00-10:00,19Feb.2022-17Dec.2022
Price:£33;£30(students,disabledvisitors);£16.50(Ages5-15years);Freefor
under5s
AnintroductiontoancientGreece
StartfromtheriseoftheGreekcitystatestotheempireofAlexandertheGreat.Enjoy
someofthehighlightsofthecollection,includingsculpturesfromtheParthenonand
theMausoleumofHalikamassos,regardedasoneoftheSevenWondersoftheAncient
World.
Time:09:00-10:00,24Feb.2022-26June2022
Price:£33;£30(students,disabledvisitors);£16.50(Ages5-15years);Freefor
under5s
1.WhencanyouseetheRosettaStone?
A.At9:30,15Feb.B.At11:30,26May.
C.At12:00,6June.D.At12:30,17Dec.
2.WhatcanpeopledointhetourofLifeanddeathinancientEgypt?
A.Exploreancienttombsandburialgoods.
B.Witnessthedevelopmentofthecountry.
C.Visitmostfamousgalleriesofthecountry.
D.AppreciatesculpturesfromtheParthenon.
3.Howmuchshouldacouplewithachildaged6payforAnintroductiontoChina?
A.£33.B.£49.5.
C.£66.D.£82.5.
Withthedevelopmentofapps,socialmediahasseeminglyrevolutionizedthewaywe
travel.Now,youngpeopleprimarytravelinspirationcomesfromsocialmedia.Instead
ofchoosingtheirdestinationfromaselectioninacatalogueattravelagentlikebefore,
theyscroll(滾動)throughonlinepostsinsearchofthatideallocation.
Whenitcomestoplanningtheperfectholiday,socialmediahasbecomeahugefactor
formanyyoungpeopletoday.Everybodywantstoreturnhomewithanalbumfullof
artisticand“instagramable”photosthatshowofftheirtrips.Thebestwaytofindthat
desired“post-able”holidaydestinationisnowthroughsocialmediaitself.Whether
itisviewingafriend’srecenttravelpost,oraphotodirectlyfromatravelaccount,
socialmediainspiresthedesiretoexplorenewplacesforsomanyofitsusers.
Travelcompaniesnowalsousesocialmediaaspartoftheirownmarketing
strategies.Themajorityofairlines,tourcompanies,hotelsandothertravel-related
businesseshavetheirownInstagram,FacebookandTwitterpagestoincreasebrand
awareness.Oneoftheleadingmarketingstrategiesistheuseofthesocial
influences.Researchshowsthat70%ofteenstrustinfluencesmorethantraditional
celebrities—in2018,1.6billionwerefunnelledintosponsoredinfluencedpostson
Instagramalone;and63%of18-24-year-oldInstagramusersfollowtravel
influencedaccount.
However,aswithmanyaspectsofsocialmedia,therewereobviousdisadvantagesto
thistravelrevolution.Itcouldbearguedthattheobsessionwithdocumentingand
sharingyourtraveladventuresonlinedistractsfrombeingpresentandtrulyenjoying
theexperience.Ourmotivestotravelseemtohaveshiftedawayfromastrongdesireto
travelandhavebecomemoreegocentric(自我為中心的),travellingnowforthesake
oflikesandfollows.Thisdrawsawayfromsomeofthemostimportantelementsof
travel.
Ingeneral,socialmediahasrevolutionizedthewaywetravel,providingtonnesof
inspirationandnewopportunities.Weshouldbegratefulfortheglobalawarenessithas
givenus,andtheinsightintonewplacesanddifferentmeansoftravel.Atthesame
time,itisequallyimportantnottoallowthepostsweseetoaffectourself-imageor
reflectonourownexperiencesanydifferently.
4.Howdidpeoplegettheirprimarytravelinspirationinthepast?
A.Byappreciatingphotosfromatravelaccount.
B.Byviewingfriends’recenttravelpost.
C.Byconsultingatravelagent.
D.Byscrollingthroughonlineposts.
5.Whichofthefollowingisrightaccordingtothetext?
A.UsingInternetcelebritiesisaveryeffectivemarketingstrategy.
B.Mostteenagerstrusttraditionalcelebritiesmorethansocialinfluences.
C.Theobsessionwithsharingtravelexperienceshelpstoenhancethetravel
experience.
D.Thetravelinspirationofyoungpeoplemainlycomesfromthetourism
advertisements.
6.Whatistheauthor’sattitudetothetravelrevolution?
A.Skeptical.B.Objective.
C.Worried.D.Disapproving.
7.Whichofthefollowingisasuitabletitleforthetext?
A.Waystoenhancethetravelexperiences.
B.Elementsofmoderntravel.
C.Inspirationandopportunitiesfromsocialmedia.
D.Theimpactofsocialmediaontravel.
“IthasnothingincommonwithanythingelseontheBund(外灘),”saidBenWood,
theAmericanarchitectbehindShanghai’sfamousXintiandiDistrict,commentingon
theFosunFoundationafteritscompletionin2016.“ThegreatthingabouttheBundis
thatit’sgrand.Perhapsabuildingthatcanstandoutisneededheretoshowthata
companyisprogressive.Butit’snotgrand.”
Fornow,however,theFosunFoundation—anewtheatre—isprovingpopularwith
riversidetourists.
LocatedintheBundFinanceCentre,thetheatrewasdesignedbycooperationoftwo
world-knownBritishdesignfirms:Foster+PartnersandHeatherwickStudio.The
architecturalhighlightistheoutwardappearance—agolden,three-layered(層),steel
bamboocurtainthathangsfromthethirdfloor.Butwhatmakesthearchitecturereally
uniqueisthatit“dances”:repeatedlyeachday,thecurtainslowlymoves—opensand
closes—withmusic.Thisvisualelement,combiningEastandWest,lookslikebothan
ancientChinesecrownandaWesternharp(豎琴).Thebuilding’sgroundfloorentrance
looksunclear,butonceinside,you’llseethespacerevealahallandcafé,and
traditionalChinesetheatresontheupperfloors.Althoughthere’reonlyfourstories
aboveground,thebuildinghousesseveralmusichallsonitsthreeundergroundfloors.
“Theopportunitytomakesomethingnewinthisculturallyhistoriclocationwas
extraordinary,”saidThomasHeatherwick,HeatherwickStudiofounder.“Wetried
tomakeitaninterestingadditiontoshowShanghai’smixofmodernandhistoric
architecture.”
TheFosunFoundationisonlypartofabiggerplanforthiseconomicandcultural
centreinChina.AlongtheHuangpuRiver,amassivewaterfrontartareaisbeing
built.Shanghaihopestoplayalargerroleintheglobalartindustryinthecomingyears.
WhatShanghaimakesofthisnewriversideprojectremainstobeseen.Butwiththe
FosunFoundationopentothepublic,thearea’srapidtransformationisbringingup
discussionsinChina’sartssceneandbeyond.
8.WhatdidBenWoodmainlytalkabout?
A.HowtokeeptheBundareaprogressive.
B.WhytheBundareadoesn’tstandout.
C.HowtomaketheFosunFoundationgrand.
D.WhytheFosunFoundationdoesn’tfitthearea.
9.Whatmakesthetheatreunusual?
A.Thecolourofitsappearance.
B.Thematerialofthebuilding.
C.Themovementofitscurtain.
D.Themusicofadifferenttype.
10.WhatisShanghai’sbiggerplanfortheBundarea?
A.Toimproveitsinfluenceinarts.
B.Tobringupmoretraditionalbuildings.
C.Tostrengthenitseconomicrole.
D.Tomixmodernandhistoricelements.
11.Whichwordbestdescribestheauthor’sattitudetotheplan?
A.Worried.B.Pessimistic.
C.Cautious.D.Confident.
Ⅱ.七選五
(2024·山西太原一模)
Museumsbecomethenextstopmanystudentswanttovisitattheir
leisure.__1__.However,theexperienceofvisitingamuseumcouldbequite
disappointingifnotdoneright,evenfortheexperiencedmuseumgoers.
__2____.Nomatterhowmuchyou’reenjoyingyourself,manymuseumscantake
hours,days,orevenweekstofullyexplore.Ifyoutrytoputitallin,youwillgetworn
outtothepointthatyouwon’treallybeseeinganything.Pickafewpaintingsand
exploretheminadetailedway,andyourmuseumexperiencewillbemorerelaxing.
Haveyoueverstartedyourvisitbywaitinginlineinfrontofthemuseumforafew
hoursjusttogetin?Andthat’sthesadrealitywhenvisitingmanyofthoseworld-
famousmuseums.Thus,besmarttobrowsetheinstructionsforvisitingandbookin
advanceonline.__3__
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