BeijingOperaWatchvideo

BeijingOperaContents01030204IntroductionMainRoleTheOriginMyViewpointWatchvideo01Introduction

IntroductionBeijingOperahashadmanyinterestingnamessinceitcameintobeing,suchasJinghuang,Daxi,Pingju,Jingxi.京劇自誕生以來有許多有趣的名字，如“京簧”、“大戲”、“平劇”（北京曾稱為北平）、京戲。02TheOriginBeijingOperaisdevelopedfromabsorbingmanyotherdramaticforms,

mostlyfromthelocaldrama'Huiban'whichwaspopularinSouthChinaduringthe18thcentury.

Itisascenicartintegratingmusic,performance,literature,aria,andface-painting.京劇是在吸收了許多其他戲劇形式的基礎上發展起來的，主要來自于18世紀流行于中國南方的地方戲劇"徽班"。它是一種集音樂、表演、文學、詠嘆調和臉譜化為一體的風景藝術。03MainRole

Dan(femalerole)Jing(paintedfacerole)Chou(comicrole)04MyViewpoint

TheartisticlifeofBeijingoperamasterMeiLanfang

TheartisticlifeofBeijingoperamasterMeiLanfangTheartisticlifeofBeijingoperamasterMeiLanfang

Beijingoperaisabeautifulformofartisticexpression.MeiLanfang,arguablythemostcelebratedBeijingoperaartistofalltime,succeededinspreadingthebeautyofChinesetheaterallovertheworld.京劇大師梅蘭芳的藝術人生

京劇是一種美麗的藝術表達形式。梅蘭芳，可以說是有史以來最著名的京劇表演藝術家，他成功地將中國戲劇之美傳播到世界各地。BorninBeijingin1894,MeibegantraininginChineseoperaskillsatageeight.Best-knownforportrayingfemalecharacters,hisperformancestylewasrigorousyetelegant.Throughouthiscareer,hemodernizedmanyaspectsofBeijingopera.梅蘭芳1894年生于北京，八歲開始學習中國戲曲技藝。梅蘭芳以塑造女性角色而聞名，其表演風格嚴謹而優雅。在他的整個職業生涯中，他將京劇的許多方面現代化了。梅蘭芳藝術的珍貴，不僅在于其天賦獨厚之條件和苦心孤詣之努力，更在于其民族氣節。在抗戰期間，作為對日本人要求他表演的回應，梅蘭芳息歌罷舞、蓄須明志。ThepreciousnessofMeiLanfang’sartlaynotonlyinhisuniquetalentandhardwork,butalsoinhisloyaltytothenation.Duringwartime,MeistoppedsinginganddancingandgrewamustacheasaresponsetotheJapanesewhorequestedhimtoperform.Duringthisperiod,hereliedsolelyonpawningandsellinghispaintings.Thisboldactofpatriotism(愛國主義)earnedhimgreatrespectandbolsteredhisfameasanartist.Inthe1950s,Meibegananewchapterinhisartisticcareer.Heactivelypracticedthepurposeof“literatureandartforthepeople”,continuouslyinnovatingtheoldandbringingforththenew.其間僅靠典當和賣畫為繼。這一大膽的愛國主義行為為他贏得了極大的尊重，并提高了他作為藝術家的聲譽這一大膽的愛國主義行為為他贏得了極大的尊重，并提高了他作為藝術家的聲譽。20世紀50年代，梅蘭芳開啟了他藝術生涯的新篇章。他積極踐行“文藝為人民”的宗旨，不斷推陳出新Hebuiltadramaperformancesystemwithdeepnationalcharacteristics,andcompletedhistransitionfrom“kingoftheoperaworld”toanartistofthepeople,becomingal