reviewthenewwords1/50religiousrealisticabstractgalleryconventionalridiculouscontroversial

showingrealism;basedonfactsofreligionroomorbuildingforshowingworksofart(ofart)notrepresentingobjectsinarealisticwaybutexpressingtheartist’sideasandfeelingsdeservingtobelaughedat;absurdcausingorlikelytocausepublicdiscussionorargumentfollowingwhatistraditionalorcustomary

2/50AnIces________FestivalisbeingheldinHaerbin.Nowonderpeoplearefloodingthere.Thischairisat______Anthony’swayofdesigningfurniture.3.Theteacherwasaskedtoa_______aneasierapproachtoexplainingthisquestion.4.Thevillagerslostmostoftheirp_________duringtheearthquake.5.Hemadeana______to

escapefrombeingpunished.6.Itisdifficulttop______whatthelong-termeffectsoftheaccidentwillbe.sculpturetypicaladoptpossessionsattemptpredicttryto3/507.Thefactorymusta______atincreasingproduction.8.Everyonehasf______inDr.Wang’smedicalskill.9.Yours______getslongerasthesunsets.10.ThemuseumhousesseveralofLeonardodaVinci’sm__________11.Thisisathreattoagricultureandthefoodchain,andc_____________tohumanhealth.12.Ithasbecomee_______tousthatamistakehasbeenmade.13.Hisperformancewasabsolutelys_______.14.Theartistcombinesdifferentt_________inthesamepainting.aimfaithshadowmasterpiecesconsequentlyevidentsuperbtechniquesbelievein

therefore;asaresult4/50AshorthistoryofwesternpaintingReading5/50paintingpainterCanyounamesomefamouspaintingsandpainters?Leadin6/50XuBeihong7/50QiBaishi8/50ZhangDaqian9/50LeonardodaVinci(1452-1519)10/50凡高VincentWillemvanGogh(1853－1890）《向日葵》11/50StarryNight12/50PabloPicasso(1881-1973)hisself-portrait&《夢(mèng)女人》13/50pre-readingCanyoumatchthepaintingandthepainters?MonetCanyoutelltheagesofthepaintings?VanGoghImpressionismModernartTheRenaissancePost-ImpressionismDaVinci14/50Thetextmainlytellsus______ofthemajormovementsin_________artoverthecenturies.fourWesternSkimming15/50圣母與圣嬰天使報(bào)喜織錦畫TheMiddleAges16/50

theRenaissance17/50Comparethetwopaintings《圣母子》中世紀(jì)《蒙娜麗莎》文藝復(fù)興______arepainted________arepaintedGodsPeople18/50Impressionism莫瑞橋--阿爾弗萊德·西斯萊

賽艇--局斯塔夫·卡耶博特蓬圖瓦茲.埃爾米塔日坡地--卡米耶·畢沙羅19/50ModernArt戴帽自畫像--塞尚作被稱為”當(dāng)代藝術(shù)起源”20/50CarefulreadingWhichdoyouthinkisthestructureofthetext?①②⑦A.①②③④⑤⑥③④⑤⑥⑦B.21/502.Whichistheexactmeaningof“people”?A.persons;men,womenandchildrenB.Allthepersonswholiveinaparticularplaceorbelongtoaparticularcountry,race,etc.

Para.1人pl.民族，種族，國(guó)民，人民(c)n.

WhatcaninfluenceArt?Artisinfluencedbythecustomsandfaithofapeople.22/50________________(5thto15thcenturyAD)Age: Mainaim:Characteristic:Artist:Torepresent________themesTheMiddleAgesreligiousfullof________symbolspaintreligiousscenesinamore______way_______________________GiottodiBondonereligiousrealisticCarefulreadingPara.223/50GiottodiBondone喬托·迪·邦多納

猶大之吻

24/50Para.21.Whywerethepaintingsatthistimefullofreligioussymbols?TocreateafeelingofrespectandloveforGod.2.Whendidtheideasbegintochange?Itwasevidentthatideaswerechanginginthe13thcenturywhenpainterslikeGiottodiBondonebegantopaintreligiousscenesinamorerealisticway.Itwasobviousthat25/50adoptamore__________attitudetolife;paint__________________astheywere;Age: Mainaim:Characteristic:Artist:________________(15thto16thcentury)TheRenaissancedrawthingsin____________;paint__________pictures

humanisticpeopleandnatureperspectiverealistic__________________MasaccioCarefulreadingPara.3-41.touseoraccept2.totakesbelse’schildintoyourfamilyandbecomeitslegalparent

towards26/50Masaccio(1401-1427),thefirstgreatpainteroftheItalianRenaissance,Whofirstusedperspectiveinpainting.Whenpeoplefirstsawhispaintings,theywereconvincedthattheywerelookingthroughaholeinawallatarealscene.believedthat27/50MadonnawithChildandAngels《圣母，圣嬰和天使》Crucifixion《基督上十字架》Masaccio作品：28/50Para.3-41.WhydidmoreandmorepaintersbegintopaintpeopleandnatureastheyreallywereintheRenaissance?Richpeoplewantedtopossesstheirownpaintings,sotheycoulddecoratetheirsuperbpalacesandgreathouses.excellent,outstandingtohaveorownsth.29/502.Whatwerethetwokeyfactorsforthedevelopmentofthistime?a.howtodrawthingsinperspectiveb.thedevelopmentofoilpaintsusedforpaintingpicturesWithoutthenewpaintsandthenewtechnique,wewouldnotbeabletoseethemanygreatmasterpiecesforwhichthisperiodisfamous.sentence———Iftherewerenonewpaintsornewtechnique30/50notas________asthoseofearlierpainters;manypeoplesaidthepainterswere________andtheirpaintingswere__________Age: Mainaim:Characteristic:Impressionism(late19thto___________century)early20thshowhow_______________fellonobjectsatdifferenttimesofdaylightandshadowdetailedridiculouscarelessCarefulreadingPara.5-6verysillyorunreasonable31/501.WhatledtonewpaintingstylesinImpressionism?Para.5-6Thereweremanynewinventionsandsocialchanges,whichnaturallyledtonewpaintingstyles.Europechangedagreatdeal,fromamostlyagriculturalsocietytoamostlyindustrialone.Manypeoplemovedfromthecountrysidetothenewcities.2.Whatwerethesocialchanges?mainly;generally32/50agreat/gooddeal大量Europechangedagreatdeal.Weareagreatdeal

clevererthanbefore.Agreatdealhasbeenstudiedandthisisthebestway.WehavespentagreatdealofmoneyonEnglishbooks.狀語(yǔ)，修飾動(dòng)詞修飾比較級(jí)=much名詞短語(yǔ)，做主語(yǔ)或賓語(yǔ)加of，修飾不可數(shù)名詞33/50On(the)onehand,somemodernartis_______;Ontheotherhand,somemodernartis________.Age: Mainaim:Characteristic:ModernArt_____________________(20thcenturytotoday)toconcentrateoncertain________oftheobjectqualitiesabstractrealisticCarefulreadingPara.7foronething;foranotherfeatures34/50Para.71.Whatisthebeginningof“modernart”?TheImpressionistpaintingsareacceptedasthebeginningofwhatwecall“modernart”.

beconsideredas2.WhatabigdifferencedidtheImpressionistsmakeonmodernart?TheImpressionistsencouragedartiststolookattheirenvironmentinnewways,sowithouttheImpressionists,manyofthesepaintingstylesmightnotexist.iftherewerenoImpressionists35/50Nowcanyoutellwhichperiodthefollowingpicturesbelongto?quiz36/50

MiddleAges37/50Renaissance38/50Impressionism

39/50Modernart40/50

Summary

FillintheBlanks.41/50Artisinfluencedbythecustomsand______ofapeople.StylesinWesternarthavechangedmanytimes.DuringtheMiddleAges,themainaimofpainterswastorepresentreligiousthemes.A________pictureatthistimewasfullofreligioussymbols,________createdafeelingofrespectandloveforGod.DuringtheRenaissance,newideasandvaluesgraduallyreplacedthoseheldintheMiddleAges.Peoplebegantoconcentrateless_____religiousthemesandadoptamorehumanisticattitude_________life.Duringthisperiod,perspectivefaithtypicalwhichonto/towards42/50paintingseven________peoplethattheywerelookingthroughaholeinthewall.Inthelate19thcentury,somepaintersbrokeawayfromthetraditionalstyleofpaintingandbecametheImpressionists.Theywerethefirstpainters__________outdoors.Atfirst,manypeopledislikedtheirpaintings,consideringthem________.Nowadays,_________,thosepaintingsareacceptedasthebeginningofmodernart.Paintingscanreflectthedevelopmentofcivilization,anditisinteresting____________(predict)whatstylesofpaintingstherewillbeinthefuture.Whynottrytovisitsomeartgalleriestoappreciatedifferentstylesofpainting?convincedtoworkridiculoushowevertopredict43/50TrueorFalse1.Westernarthaschangedverylittleoverthelastseventeencenturies.2.PaintersintheMiddleAgesdidnotuseperspective.3.Impressionistspaintedlandscapes.FTTComprehending44/504.Youcannotrecognizeanyobjectinabstractmodernart.5.IntheRenaissancemostartistspaintedindoors.6.Abstractartisstillartstyletoday.TTTSomemodernartisabstract,thatis,thepainterdoesnotattempttopaintobjectsasweseethemwithoureyes.thatistosay;inotherwords45/501.Whichofthefollowingstatementsistrue?A.PaintingsinMiddleAges